Jack Gelber: Consider This explores the works of American playwright Jack Gelber (1932–2003), whose groundbreaking, immersive play The Connection (produced by The Living Theatre in 1959) served as the link between the Art Theatre/Beat Generation and the Off-Off-Broadway movement.With The Connection, Gelber provided a Pirandellian framework in which actors playing junkies demonstrated what it was like to wait for a fix. This play forever cemented Gelber’s ...

Playwrights have always demonstrated an incredible adaptability, able to nimbly adjust to new circumstances and media. This was never in greater evidence than during the coronavirus pandemic, when—with venues shuttered and stages darkened—writers and performers across the world scrambled to sustain the art of theater via remote video. Even today, it is clear that the experiences of 2020–21 have dramatically altered the landscape of theatermaking, as artists continually refine and deploy th...

Pulitzer Prize winning playwright Paula Vogel once said that theater helps us learn how to be comfortable with being uncomfortable with each other. Revolving around the theme of "this is who we are," the one-act plays in this latest edition of the Best American Short Playsseries (now in its ninth decade) explore the thoughtful ways in which playwrights are wrestling to make sense of our world today.The selected plays reflect how we perform our identities (private and public) and ho...

That theatre is a business remains a truth often ignored by theatre insiders and consumers of the performing arts alike. The essays in Theatre Symposium, Volume 22 explore theatre as a commercial enterprise both historically and as a continuing part of the creation, production, and presentation of contemporary live performance.The eleven contributors to this fascinating collection illuminate many aspects of commercial theatre and how best to examine it. George Pate analyze...

Anyone who's never watched someone die is suffering from a pretty bad case of virginity.Look Back in Anger premiered at the Royal Court Theatre, London, in 1956.'John Osborne didn't contribute to British theatre: he set off a landmine called Look Back in Anger and blew most of it up.' Alan Sillitoe'A story of youthful insecurity inflamed by lack of opportunity and the terrifying, destabilizing force of love . . . Jimmy Porter could...

The star of Hitchcock's Rope and Strangers on a Train "recalls life onstage and in film in an engaging, colorful memoir" ( Kirkus Reviews, starred review).Synonymous with the golden age of Broadway, the dazzling lights of Hollywood, and the rise of television arts, Farley Granger's charm and talent captivated the acting community and audiences alike. Working with creative visionaries like Alfred Hitchcock, Luchino Visconti, and Nick Ray, G...

May Yohe was a popular entertainer from humble American origins who married and then abandoned a wealthy English Lord who owned the fabled Hope diamond--one of the most valuable objects in the world and now exhibited at the Smithsonian Institution in Washington, D.C. May was a romantic who had numerous lovers and at least three husbands--though the tabloids rumored twelve. One included the playboy son of the Mayor of New York. May separated from him--twice--and cared for her next husband, ...

18 November, 1741. George Frideric Handel, one of the world's greatest composers, arrives in Dublin – the second city of the Empire – to prepare his masterpiece, Messiah, for its maiden performance the following spring …In Hallelujah, Jonathan Bardon, one of Ireland's leading historians, explores the remarkable circumstances surrounding the first performance of Handel's now iconic oratorio in Dublin, providing a panoramic view of a city in flux – at once struggling to contain the chaos unl...

Theory/Theatre: An Introduction provides a unique and engaging introduction to literary theory as it relates to theatre and performance. Mark Fortier lucidly examines current theoretical approaches, from semiotics, poststructuralism, to cultural materialism, postcolonial studies and feminist theory.Drawing upon examples from Shakespeare and Aphra Behn, to Chekhov, Artaud, Cixous and Churchill, the author examines the specific realities of theatre in order to come to a rich...

The only comprehensive guide to the plays of one of the world's greatest yet most puzzling contemporary dramatists, The Pinter Ethic penetrates the mystery of Harold Pinter's work with compelling and authoritative insights that locate and disclose the primal power of his drama in his characters' powerplay for dominance. With remarkable clarity, Penelope Prentice's close reading of Pinter's work untangles the multiple ambiguities, complex conflicts and contradictory actions which continue t...

"Richard Foreman reinvented dialogue, action, sound, stage design, and philosophical groundwork as no other stage artist in our history."—PEN/Laura Pels Master American Dramatist Award citationThese writings, collected from two earlier books now long out-of-print along with two recent interviews, provide a fascinating window into Richard Foreman's singular mind and creative process. Also included is The Gods Are Pounding My Head! (AKA Lumberjack Messiah), his last play bef...

This is the most complete and compelling account of idols and celebrity in Japanese media culture to date. Engaging with the study of media, gender and celebrity, and sensitive to history and the contemporary scene, these interdisciplinary essays cover male and female idols, production and consumption, industrial structures and fan movements.