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Theatre Symposium, Vol. 22: Broadway and Beyond
Commercial Theatre Considered
2014
EN
That theatre is a business remains a truth often ignored by theatre insiders and consumers of the performing arts alike. The essays in Theatre Symposium, Volume 22 explore theatre as a commercial enterprise both historically and as a continuing part of the creation, production, and presentation of contemporary live performance.The eleven contributors to this fascinating collection illuminate many aspects of commercial theatre and how best to examine it. George Pate analyze...
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2013
EN
Anyone who's never watched someone die is suffering from a pretty bad case of virginity.Look Back in Anger premiered at the Royal Court Theatre, London, in 1956.'John Osborne didn't contribute to British theatre: he set off a landmine called Look Back in Anger and blew most of it up.' Alan Sillitoe'A story of youthful insecurity inflamed by lack of opportunity and the terrifying, destabilizing force of love . . . Jimmy Porter could...
Include Me Out
My Life from Goldwyn to Broadway
2007
EN
The star of Hitchcock's Rope and Strangers on a Train "recalls life onstage and in film in an engaging, colorful memoir" ( Kirkus Reviews, starred review).Synonymous with the golden age of Broadway, the dazzling lights of Hollywood, and the rise of television arts, Farley Granger's charm and talent captivated the acting community and audiences alike. Working with creative visionaries like Alfred Hitchcock, Luchino Visconti, and Nick Ray, G...
Madcap May
Mistress of Myth, Men, and Hope
2012
EN
May Yohe was a popular entertainer from humble American origins who married and then abandoned a wealthy English Lord who owned the fabled Hope diamond--one of the most valuable objects in the world and now exhibited at the Smithsonian Institution in Washington, D.C. May was a romantic who had numerous lovers and at least three husbands--though the tabloids rumored twelve. One included the playboy son of the Mayor of New York. May separated from him--twice--and cared for her next husband, ...
Hallelujah – The story of a musical genius and the city that brought his masterpiece to life
George Frideric Handel's Messiah in Dublin
2015
EN
18 November, 1741. George Frideric Handel, one of the world's greatest composers, arrives in Dublin – the second city of the Empire – to prepare his masterpiece, Messiah, for its maiden performance the following spring …In Hallelujah, Jonathan Bardon, one of Ireland's leading historians, explores the remarkable circumstances surrounding the first performance of Handel's now iconic oratorio in Dublin, providing a panoramic view of a city in flux – at once struggling to contain the chaos unl...
2002
EN
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Theory/Theatre: An Introduction provides a unique and engaging introduction to literary theory as it relates to theatre and performance. Mark Fortier lucidly examines current theoretical approaches, from semiotics, poststructuralism, to cultural materialism, postcolonial studies and feminist theory.Drawing upon examples from Shakespeare and Aphra Behn, to Chekhov, Artaud, Cixous and Churchill, the author examines the specific realities of theatre in order to come to a rich...
The Pinter Ethic
The Erotic Aesthetic
- Series -
- Studies in Modern Drama
2002
EN
The only comprehensive guide to the plays of one of the world's greatest yet most puzzling contemporary dramatists, The Pinter Ethic penetrates the mystery of Harold Pinter's work with compelling and authoritative insights that locate and disclose the primal power of his drama in his characters' powerplay for dominance. With remarkable clarity, Penelope Prentice's close reading of Pinter's work untangles the multiple ambiguities, complex conflicts and contradictory actions which continue t...
2013
EN
"Richard Foreman reinvented dialogue, action, sound, stage design, and philosophical groundwork as no other stage artist in our history."—PEN/Laura Pels Master American Dramatist Award citationThese writings, collected from two earlier books now long out-of-print along with two recent interviews, provide a fascinating window into Richard Foreman's singular mind and creative process. Also included is The Gods Are Pounding My Head! (AKA Lumberjack Messiah), his last play bef...
2012
EN
This is the most complete and compelling account of idols and celebrity in Japanese media culture to date. Engaging with the study of media, gender and celebrity, and sensitive to history and the contemporary scene, these interdisciplinary essays cover male and female idols, production and consumption, industrial structures and fan movements.
Brian Friel
Theatre and Politics
2011
EN
Friel is recognised as Ireland's leading playwright and due to the ability of plays like Translations and Dancing at Lughnasa to translate into other cultures he has made a major impact on world theatre. This study draws on the Friel Archive to deepen our understanding of how his plays were developed.
- Translated by
- Jean Benedetti
2009
EN
An Actor’s Work on a Role is Konstantin Stanislavski’s exploration of the rehearsal process, applying the techniques of his seminal actor training system to the task of bringing truth to one’s chosen role.Originally published over half a century ago as Creating a Role, this book was the third in a planned trilogy – after An Actor Prepares and Building a Character, now combined in An Actor’s Work – in which Stanislavski sets out his psych...
Eroding the Language of Freedom
Identity Predicament in Selected Works of Harold Pinter
2017
EN
Let down by the uncertainties of memory, language, and their own family units, the characters in Harold Pinter’s plays endure persistent struggles to establish their own identities.Eroding the Language of Freedom re-examines how identity is shaped in these plays, arguing that the characters’ failure to function as active members of society speaks volumes to Pinter’s ideological preoccupation with society’s own inadequacies. Pinter described himself as addressing the state of the wo...











