An author’s talents may seem obvious and indisputable as they move words and ideas into gathered phrases and stories.But where do these ideas and stories come from? A lonely thought that suddenly gathers form? An inspiration from a Muse? A suggestio

Stories to Read by Candlelight contains eight stories first published in the 1890s by the French author, Jean Lorrain, translated here into English by Patricia Worth. Jean draws the reader back in time to his provincial childhood when his grandmother’s seamstress would tell him stories that gave him goose bumps and made him jump under the covers. Here he recounts these same stories, or invents new half-lived half-dreamed stories born of objects found in an attic or an old house. T...

None of Jean Lorrain’s biographers has contrived to discover exactly when or why he began taking ether, or how much of it he took before realising (too late) that it was an extremely bad idea. The drug certainly helped provide the feverish, nightmarish atmosphere of these wonderfully decadent and sophisticated tales, and many of the apparitions with which they are populated.Brian Stableford’s superb translations represent the first appearance in English of Jean Lorrain’s ether-insp...

'M. Phocas reveals, indeed revels, in this literary incest as the 'diabolical Englishman', Claudius Ethal, a snobbish painter, seeks to corrupt the narrator - by sending him Goya prints. A Curiosity.' The Observer Monsieur de Phocas ranks with A Rebours as the summation of the French Decadent Movement. Monsieur de Phocas will appeal strongly to readers of Oscar Wilde and fin-de-siecle fiction.

Poisoned cigars, seductive apparitions, minds and empires in the last of their decline and the most notorious kiss in dramatic history – decadent plays challenged the moral as much as the dramatic imagination of their own day, and continue to probe horizons of taste and the possibilities of stagecraft.In the late 19th and early 20th centuries, many writers reacted to urban modernity by embracing decadent themes and styles, and dramatists were no exception. Decadenc...

None of Jean Lorrain’s biographers has contrived to discover exactly when or why he began taking ether, or how much of it he took before realising (too late) that it was an extremely bad idea. The drug certainly helped provide the feverish, nightmarish atmosphere of these wonderfully decadent and sophisticated tales, and many of the apparitions with which they are populated.Brian Stableford’s superb translations represent the first appearance in English of Jean Lorrain’s ether-insp...

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. A few pages can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere.In this series we try to offer up tried and trusted ‘Top Tens’ across many different themes and authors. But any anthology will immediately throw up the questions – Why that story? Why that author?The theme ...

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society.In literature the ambition is much narrower. In order to be known, to be popular, you had to be published. And for that people had to know you existed and your ideas worth reading. Obviously for most of humanity’s time people couldn’t read and texts couldn’t be publishe...

An author’s talents may seem obvious and indisputable as they move words and ideas into gathered phrases and stories.But where do these ideas and stories come from? A lonely thought that suddenly gathers form? An inspiration from a Muse? A suggestion from an everyday event?Perhaps in the case of their darker, more malevolent stories, other forces are at work. They help to nourish single words into sentences and paragraphs that ease themselves from the shadows and are sudden...

An author’s talents may seem obvious and indisputable as they move words and ideas into gathered phrases and stories.But where do these ideas and stories come from? A lonely thought that suddenly gathers form? An inspiration from a Muse? A suggestion from an everyday event?Perhaps in the case of their darker, more malevolent stories, other forces are at work. They help to nourish single words into sentences and paragraphs that ease themselves from the shadows and are sudden...

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society.In literature the ambition is much narrower. In order to be known, to be popular, you had to be published. And for that people had to know you existed and your ideas worth reading. Obviously for most of humanity’s time people couldn’t read and texts couldn’t be publishe...

The bookshelves of European literature are incredible collections that have gathered together centuries of very talented authors. From this continent their fame spread and whilst among their number many are now forgotten or neglected their talents endure. Among them is the French writer Jean Lorrain.