There is something about the number 3.The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two.Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois. It seems good things usually come in threes. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and ...

An author’s talents may seem obvious and indisputable as they move words and ideas into gathered phrases and stories.But where do these ideas and stories come from? A lonely thought that suddenly gathers form? An inspiration from a Muse? A suggestio

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society.In literature the ambition is much narrower. In order to be known, to be popular, you had to be published. And for that people had to know you existed and your ideas worth reading. Obviously for most of humanity’s time people couldn’t read and texts couldn’t be publishe...

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. A few pages can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere.In this series we try to offer up tried and trusted ‘Top Tens’ across many different themes and authors. But any anthology will immediately throw up the questions – Why that story? Why that author?The theme ...

When Marcel Schwob published The Book of Monelle in French in 1894, it immediately became the unofficial bible of the French Symbolist movement, admired by such contemporaries as Stéphane Mallarmé, Alfred Jarry and André Gide. A carefully woven assemblage of legends, aphorisms, fairy tales and nihilistic philosophy, it remains a deeply enigmatic and haunting work more than a century later, a gathering of literary and personal ruins written in a style that evokes both the Brothers ...

Instead of memorizing vocabulary words, work your way through an actual well-written novel. Even novices can follow along as each individual English paragraph is paired with the corresponding French paragraph. It won't be an easy project, but you'll learn a lot.

Marcel Schwob (1867-1905) was one of the key symbolist writers, standing in French literature alongside such names as Stéphane Mallarmé, Octave Mirbeau, André Gide, Léon Bloy, Jules Renard, Rémy de Gourmont, and Alfred Jarry. His best-known works are Double Heart (1891), The King In The Gold Mask (1892), and Imaginary Lives (1896). Imaginary Lives contains twenty-two mythopoeic literary portraits of figures from ancient history, art history, and the history of crime and punishment. From ...

Imaginary Life narrates the "life of some poets, gods, murderers and pirates, as well as several princesses and gallant ladies...". But it does not do so in the conventional way of biographers, who only appreciated "public life or grammar", "the ideas of great men" and those points where their lives "joined the general actions", but in an artistic way. Neither biographies nor history speak of the individuality of men, they only give dates and ideas. And what interests Marcel Schwob is prec...

First published in French in 1892 and never before translated fully into English, The King in the Golden Mask gathers 21 of Marcel Schwob’s cruelest and most erudite tales. Melding the fantastic with historical fiction, these stories describe moments of unexplained violence both historical and imaginary, often blending the two through Schwob’s collaging of primary source documents into fiction. Brimming with murder, suicide, royal leprosy and medieval witchcraft, Schwob’s stories ...

“The art of the biographer consists specifically in choice. He is not meant to worry about speaking truth; he must create human characteristics amidst the chaos.”—Marcel SchwobImaginary Lives remains, over 120 years since its original publication in French, one of the secret keys to modern literature: under-recognized, yet a decisive influence on such writers as Apollinaire, Borges, Jarry and Artaud, and more contemporary authors such as Roberto Bolaño and...

pubOne.info thank you for your continued support and wish to present you this new edition. The world is so taken up of late with novels and romances, that it will be hard for a private history to be taken for genuine, where the names and other circumstances of the person are concealed, and on this account we must be content to leave the reader to pass his own opinion upon the ensuing sheet, and take it just as he pleases.

Mayer André Marcel Schwob was born in Chaville, Hauts-de-Seine, France on 23rd August 1867 into a cultivated Jewish family.As a child he devoured the works of Poe and Stevenson in French and then again in English. His attachment to the bizarre and dark was already forming.His education at the Lycée of Nantes earned him the 1st Prize for Excellence. In 1881, he was in Paris with his maternal uncle to study at the Lycée Louis-le-Grand. Schwob quickly developed his multilingua...