Showing results for "stuart spencer"
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2002
EN
A concise guide to playwriting to awaken creativity, from a playwright who has taught the subject for over a decade."If you want to be a playwright, here's your bible." —David Lindsay-Abaire, author of Fuddy Meers and Wonder of the WorldDuring the more than ten years that Sturt Spencer has taught playwriting, he has struggled to find an effective handbook for his courses. Although most of the currently popular guides contain...
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The Intent to Live
Achieving Your True Potential as an Actor
2004
EN
Accessible
“I call this book The Intent to Live because great actors don’t seem to be acting, they seem to be actually living.”–Larry Moss, from the IntroductionWhen Oscar-winning actors Helen Hunt and Hilary Swank accepted their Academy Awards, each credited Larry Moss’s guidance as key to their career-making performances. There is a two-year waiting list for his advanced acting classes. But now everyone–professionals and amateurs alike–can discover Moss’s passionate, in-depth teachin...
1993
EN
This book shows you how to take timeless storytelling structures and make them immediate, now, for fiction that's universal in how it speaks to the reader's heart and contemporary in detail and impact. Each chapter includes brief excerpts and descriptions of fiction from many times, many genres - myth and fairy tale, genre and mainstream fiction, film plots of all types, short story and novel. Find 20 fundamental plots that recur through all fiction - with analysis and examples - that outl...
The Viewpoints Book
A Practical Guide to Viewpoints and Composition
2004
EN
The Viewpoints is a technique of improvisation that grew out of the postmodern dance world. It was first articulated by choreographer Mary Overlie, who broke down the two dominant issues performers deal with—space and time—into six categories. Since that time, directors Anne Bogart and Tina Landau have expanded her notions and adapted them for actors to function together spontaneously and intuitively and to generate bold, theatrical work.The Viewpoints are a set o...
2011
EN
Accessible
Get your stories off to a roaring start.Keep them tight and crisp throughout.Conclude them with a wallop.Is the story or novel you've been carrying around in your head the same one you see on the page? Or does the dialogue suddenly sound flat and predictable? Do the events seem to ramble?Translating a flash of inspiration into a compelling story requires careful crafting. The words you choose, how you describe characters, and the way you orche...
2005
EN
Accessible
In the wee hours of the night, when inspiration strikes unexpectedly, don't let it slip away.If you write, you know what it's like. Insight and creativity—the desire to push the boundaries of your writing—strike when you least expect it. And you're often in no position to act: in the shower, driving the kids to school...in the middle of the night.The 3 A.M. Epiphany offers more than 200 intriguing writing exercises designed to help you think, write...
Now Write!
Fiction Writing Exercises from Today's Best Writers and Teachers
- Series -
- Now Write! Series
2006
EN
A collection of personal writing exercises and commentary from some of today's best novelists, short story writers, and writing teachers, including Jill McCorkle, Amy Bloom, Robert Olen Butler, Steve Almond, Jayne Anne Phillips, Virgil Suarez, Margot Livesay, and more.What's the secret behind the successful and prolific careers of critically acclaimed novelists and short story writers Amy Bloom, Steve Almond, Jayne Anne Phillips, Alison Lurie, and others? Divine assistance? Otherwo...
2012
EN
For anyone who has ever wanted to take an acting class, "this is the best book on acting written in the last twenty years" (David Mamet, from the Introduction).This book describes a technique developed and refined by the authors, all of them young actors, in their work with Pulitzer Prize-winning playwright David Mamet, actor W. H. Macy, and director Gregory Mosher. A Practical Handbook for the Actor is written for any actor who has ever experienced the frustration...
The Art of Character
Creating Memorable Characters for Fiction, Film, and TV
2013
EN
Accessible
Former private investigator and New York Times notable author David Corbett offers a unique and indispensable toolkit for creating characters that come vividly to life on the page and linger in memory. Corbett provides an inventive, inspiring, and vastly entertaining blueprint to all the elements of characterization-from initial inspiration to realization-with special insights into the power of secrets and contradictions, the embodiment of roles, managing the "tyranny of motive," and maste...
Memo from the Story Department: Secrets of Structure and Character
Secrets of Structure and Character
2011
EN
Memo From the Story Department offers a battery of storygenerating engines and storyimproving tools, and reliable methods tested on hundreds of Hollywood productions. It goes far beyond the standard advice given in most screenwriting manuals. Drawn from sources as varied as vaudeville, classical Greek comedies, and Russian fairy tales, the book outlines a series of practical templates for creating believable characters and emotionally satisfying plots.
2006
EN
Accessible
Get the core knowledge of a prestigious MFA education without the tuition.Have you always wanted to get an MFA, but couldn't because of the cost, time commitment, or admission requirements?Well now you can fulfill that dream without having to devote tons of money or time. The Portable MFA gives you all of the essential information you would learn in the MFA program in one book. Covering fiction, memoirs, personal essays, magazine articles, poetry, ...
2010
EN
If theatre were a religion, explains David Mamet in his opening chapter, "many of the observations and suggestions in this book might be heretical." As always, Mamet delivers on his promise: in Theatre, the acclaimed author of Glengarry Glen Ross and Speed the Plow calls for nothing less than the death of the director and the end of acting theory. For Mamet, either actors are good or they are non-actors, and good actors generally work best without the interferenc...











