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Teen Movies
American Youth on Screen
- Series -
- Short Cuts
2005
EN
Teen Movies: American Youth on Screen is a detailed look at the depiction of teens on film and its impact throughout film's history. Timothy Shary looks at the development of the teen movie – the rebellion, the romance, the sex and the horror – up to contemporary portrayals of ever-changing youth. Films studied include Rebel Without a Cause (1955), Splendor in the Grass (1961), Carrie (1976), The Breakfast Club (1985), and American Pie ...
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The Book of Jezebel
An Illustrated Encyclopedia of Lady Things
2013
EN
From Jezebel.com, the popular website for women, comes a must-read encyclopedic guide to pop culture, feminism, fashion, sex, and much more.Within months of Jezebel's May 2007 appearance on the new media scene, fans of the blog began referring to themselves as "Jezzies" in comment threads and organizing reader meet-ups in cities all over the world. By 2008, the devotion of the self-appointed Jezzies reached such a fever pitch that the New York Times ran a ...
Bitch
In Praise of Difficult Women
2012
EN
Accessible
From the author of the bestselling Prozac Nation comes one of the most entertaining feminist manifestos ever written. In five brilliant extended essays, she links the lives of women as demanding and disparate as Amy Fisher, Hillary Clinton, Margaux Hemingway, and Nicole Brown Simpson. Wurtzel gives voice to those women whose lives have been misunderstood, who have been dismissed for their beauty, their madness, their youth.Bitch is a brilliant tract on the history...
2011
EN
260 movies, past and present, are reviewed in this high-energy, very funny journey through the world of film, as Marc Fennell, Hungry Beaster, TripleJ film reviewer, polymath, kills your social life by programming your DVD viewing for every weekend of the year.PRAISE FOR MARC FENNELL'Witty, irreverent and fun ...'Good Reading'Gold!'Cleo'A film companion with a difference'Daily NewsSO MANY MOVIES ... ...
Life Moves Pretty Fast
The lessons we learned from eighties movies (and why we don't learn them from movies any more)
2015
EN
Hadley Freeman brings us her personalised guide to American movies from the 1980s – why they are brilliant, what they meant to her, and how they influenced movie-making forever.For Hadley Freeman, American moves of the 1980s have simply got it all. Comedy in Three Men and a Baby, Hannah and Her Sisters, Ghostbusters, Back to the Future and Trading Places; all a teenager needs to know – in Pretty in Pink, Ferris Bueller’s Day Off, Say Anything, The Breakfast Club and Mystic Pizza; t...
Killing Monsters
Our Children's Need For Fantasy, Heroism, and Make-Believe Violence
2008
EN
Children choose their heroes more carefully than we think. From Pokemon to the rapper Eminem, pop-culture icons are not simply commercial pied pipers who practice mass hypnosis on our youth. Indeed, argues the author of this lively and persuasive paean to the power of popular culture, even violent and trashy entertainment gives children something they need, something that can help both boys and girls develop in a healthy way. Drawing on a wealth of true stories, many gleaned from the fasci...
The Achilles Effect
What Pop Culture Is Teaching Young Boys About Masculinity
2011
EN
A discussion of pop culture messages about masculinity, their impact on boys, and the benefits of introducing more gender balance to boys lives.When most people think about gender stereotypes and children, they envision princesses, dolls, and pink clothing. Few consider the warriors, muscle-bound action figures, and T-shirts covered in graffiti and skulls that are assumed to signify masculinity.The pop culture environment that surrounds boys introduces them...
Romantic Comedy
Boy Meets Girl Meets Genre
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- Short Cuts
2007
EN
Romantic Comedy offers an introduction to the analysis of a popular but overlooked film genre. The book provides an overview of Hollywood's romantic comedy conventions, examining iconography, narrative patterns, and ideology. Chapters discuss important subgroupings within the genre: screwball sex comedy and the radical romantic comedy of the 1970s. A final chapter traces the lasting influence of these earlier forms within current romantic comedies. Films include: Pillow Talk
Men to Boys
The Making of Modern Immaturity
2008
EN
Adam Sandler movies, HBO's Entourage, and such magazines as Maxim and FHM all trade in and appeal to one character-the modern boy-man. Addicted to video games, comic books, extreme sports, and dressing down, the boy-man would rather devote an afternoon to Grand Theft Auto than plan his next career move. He would rather prolong the hedonistic pleasures of youth than embrace the self-sacrificing demands of adulthood.When did maturity become the ultimate tab...
2001
EN
Accessible
Writing humor is subjective and challenging - thankfully, there are many ways to create it. How to Write Funny provides advice, insights and humor from more than twenty writers with a gift for making readers laugh.In a diverse collection of articles and interviews, both classic and new, this esteemed group of writers, including Dave Barry, Bill Bryson and Jennifer Crusie, provides different viewpoints on how humor works on the page, whether in short stories, memoirs, novel...
American Horror Film
The Genre at the Turn of the Millennium
2010
EN
Creatively spent and politically irrelevant, the American horror film is a mere ghost of its former self-or so goes the old saw from fans and scholars alike. Taking on this undeserved reputation, the contributors to this collection provide a comprehensive look at a decade of cinematic production, covering a wide variety of material from the last ten years with a clear critical eye.Individual essays profile the work of up-and-coming director Alexandre Aja and reassess William Malone...
Subversive Horror Cinema
Countercultural Messages of Films from Frankenstein to the Present
2014
EN
Horror cinema flourishes in times of ideological crisis and national trauma--the Great Depression, the Cold War, the Vietnam era, post-9/11--and this critical text argues that a succession of filmmakers working in horror--from James Whale to Jen and Sylvia Soska--have used the genre, and the shock value it affords, to challenge the status quo during these times. Spanning the decades from the 1930s onward it examines the work of producers and directors as varied as George A. Romero, Pete Wa...











