Showing results for "max shulman"
Showing 1 - 7 of 7 Results
Adult content is visible.
- Narrated by
- George Newbern
Unabridged
6 hours 19 min
2016
EN
Including stories first published in Cosmopolitan and theSaturday Evening Post, this bestselling collection follows the romantic escapades of Max Shulman's famed collegiate Don Juan. Like most undergraduates, Dobie Gillis is a bit scattered-sometimes he's as quick as a whip, other times dull as a doorstop, and his major keeps changing from chemistry to law to journalism. But no matter what subject he should be studying, Dobie always has a girl on his mind.
The American Pipe Dream
Performance of Drug Addiction, 1890-1940
- Series -
- Studies Theatre Hist & Culture
2022
EN
The American Pipe Dream examines the many iterations of addiction as it was performed over the first half of the twentieth century, working from a massive archive of previously ignored material. Because the stage-addict became the primary way the U.S. public learned about addiction and drug use, Shulman argues that performance was essential in creating the addict in America’s cultural imagination. He demonstrates how modern-day perceptions of addiction and of the addict emerge fro...
- Narrated by
- George Newbern
Unabridged
3 hours 46 min
2016
EN
On his first day of college, farm boy Asa Hearthrug enthusiastically jumps out of bed-and discovers that his pajama pants are caught in the bedsprings. He learns that his dog has died, and his father, in an effort to soften the blow, tells an absurd story about a female bullfighter. Next, the freshman pays a visit to his high school sweetheart to say a heartfelt goodbye, but Lodestone La Toole is more interested in hamburgers than vows of devotion. And when Asa finally arrives at the Unive...
- Narrated by
- George Newbern
Unabridged
5 hours 4 min
2016
EN
It's the middle of the Great Depression and Morris Katz and his cousin Albert are broke. But that's all about to change when they head off to college on a mission from Morris's mother to find rich, unattractive Jewish girls to marry. The boys arrive on campus armed with a secret weapon: the poetry of Morris's cousin Crip. Within a day, Morris is courting Celeste Zimmerman, the frumpy heir to a movie theater franchise. But then an Irish Catholic beauty falls under the spell of Crip's verse ...
- Narrated by
- Johnny Heller
Unabridged
5 hours 47 min
2023
EN
Harry Bannerman drinks his nightly bourbon on the train from New York City to Putnam's Landing, Connecticut. A typical commuter, he has a bald spot, a house, two mortgages, three children, and a wife who is a committed soccer mom and pillar of the community.Second Lt. Guido di Maggio loves baseball less than his last name implies and his fiancée, Maggie Larkin, more than the army allows. College sweethearts, the couple has their future all mapped out: Guido will complete his milita...
Performing the Progressive Era
Immigration, Urban Life, and Nationalism on Stage
- Series -
- Studies Theatre Hist & Culture
2019
EN
The American Progressive Era, which spanned from the 1880s to the 1920s, is generally regarded as a dynamic period of political reform and social activism. In Performing the Progressive Era, editors Max Shulman and Chris Westgate bring together top scholars in nineteenth- and twentieth-century theatre studies to examine the burst of diverse performance venues and styles of the time, revealing how they shaped national narratives surrounding immigration and urban life. Contributors ...
Working in the Wings
New Perspectives on Theatre History and Labor
2015
EN
Theatre has long been an art form of subterfuge and concealment. Working in the Wings: New Perspectives on Theatre History and Labor, edited by Elizabeth A. Osborne and Christine Woodworth, brings attention to what goes on behind the scenes, challenging, and revising our understanding of work, theatre, and history.Essays consider a range of historic moments and geographic locations—from African Americans’ performance of the cakewalk in Florida’s resort hotels during the Gi...
People who read this also enjoyed
The Importance of Being Earnest
A Trivial Comedy for Serious People
2019
EN
The Importance of Being Earnest, A Trivial Comedy for Serious People is a play by Oscar Wilde. First performed on 14 February 1895 at the St James's Theatre in London, it is a farcical comedy in which the protagonists maintain fictitious personæ to escape burdensome social obligations. Working within the social conventions of late Victorian London, the play's major themes are the triviality with which it treats institutions as serious as marriage, and the resulting satire of Victorian ways...
Ernie:
The Autobiography
2009
EN
Accessible
We wept at his Oscar-winning role in Marty. . .we gasped when he took on Frank Sinatra in From Here to Eternity. . .we were riveted by his compelling performances in The Dirty Dozen, Bad Day at Black Rock, and Ice Station Zebra. . .and we laughed at his television sitcom McHale's Navy. We loved all of Ernest Borgnine's many portrayals, but what did we know about the man behind the famous roles? Now for the first time, he tells us in his own word...
2013
EN
You remind me of my uncle's brother. He was always on the move, that man. Never without his passport. Had an eye for the girls. Very much your build. Bit of an athlete. Long-jump specialist. He had a habit of demonstrating different run-ups in the drawing-room round about Christmas time. Had a penchant for nuts.In a dilapidated house in West London, three men - kind but damaged Aston, the shambling tramp he invites to stay, and Aston's violently unpredictable brother Mick ...
2013
EN
'An exultant night - a man in total command of his talent.' Observer'The most intense expression of compressed violence to be found anywhere in Pinter's plays.' The TimesWhen Teddy, a professor in an American university, brings his wife Ruth to visit his old home in London, he finds his family still living in the house. In the conflict that follows, it is Ruth who becomes the focus of the family's struggle for supremacy.
- Translated by
- Karen Juers-Munby
2006
EN
Newly adapted for the Anglophone reader, this is an excellent translation of Hans-Thies Lehmann’s groundbreaking study of the new theatre forms that have developed since the late 1960s, which has become a key reference point in international discussions of contemporary theatre.In looking at the developments since the late 1960s, Lehmann considers them in relation to dramatic theory and theatre history, as an inventive response to the emergence of new technologies, and as an histori...











