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Stefan Zweig and World Literature
Twenty-First-Century Perspectives
2015
EN
The twenty-first century has seen a renewed surge of cultural and critical interest in the works of the Austrian-Jewish author Stefan Zweig (1881-1942), who was among the most-read and -acclaimed authors worldwide in the 1920s and1930s but after 1945 fell into critical disfavor and relative obscurity. The resurgence in interest in Zweig and his works is attested to by, among other things, new English translations and editions of his works; a Brazilian motion picture and a best-selling Fren...
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2013
EN
A great American writer’s confrontation with a great European critic – a personal and intellectual awakening.A hundred years ago, the Viennese satirist Karl Kraus was among the most penetrating and prophetic writers in Europe: a relentless critic of the popular media’s manipulation of reality, the dehumanizing machinery of technology and consumerism, and the jingoistic rhetoric of a fading empire. But even though his followers included Franz Kafka and Walter Benjamin, he remained s...
Dreamland of Humanists
Warburg, Cassirer, Panofsky, and the Hamburg School
2013
EN
Deemed by Heinrich Heine a city of merchants where poets go to die, Hamburg was an improbable setting for a major intellectual movement. Yet it was there, at the end of World War I, at a new university in this commercial center, that a trio of twentieth-century pioneers in the humanities emerged. Working side by side, Aby Warburg, Ernst Cassirer, and Erwin Panofsky developed new avenues in art history, cultural history, and philosophy, changing the course of cultural and intellectual histo...
2014
EN
Short-listed for the Tractatus Essay Prize, an examination of the innovative strategies Arendt used to achieve intellectual freedomAfter observing the trial of Adolf Eichmann, Hannah Arendt articulated her controversial concept of the “banality of evil,” thereby posing one of the most chilling and divisive moral questions of the twentieth century: How can genocidal acts be carried out by non-psychopathic people? By revealing the full complexity of the trial with re...
- Translated by
- William Templer
2010
EN
Growing Up Female in Nazi Germany explores the world of the Bund Deutscher Mädel (BDM), the female section within the Hitler Youth that included almost all German girls aged 10 to 14. The BDM is often enveloped in myths; German girls were brought up to be the compliant handmaidens of National Socialism, their mental horizon restricted to the "three Ks" of Kinder, Küche, Kirche (children, kitchen, and church).Dagmar Reese, however, depicts another picture of life in the BDM...
- Series -
- Cambridge Companions to Literature
2009
EN
The late eighteenth and early nineteenth centuries saw an extraordinary flowering of arts and culture in Germany which produced many of the world's finest writers, artists, philosophers and composers. This volume, first published in 2004, offers students and specialists an authoritative introduction to that dazzling cultural phenomenon, now known collectively as German Romanticism. Individual chapters not only introduce the reader to individual writers such as Friedrich Schlegel, Novalis, ...
Phantoms of War in Contemporary German Literature, Films and Discourse
The Politics of Memory
2008
EN
Phantoms of War in Contemporary German Literature, Films and Discourse offers an up-to-date and comprehensive analysis of fundamental shifts in German cultural memory. Focusing on the resurgence of family stories in fiction, autobiography and in film, this study challenges the institutional boundaries of Germany's memory culture that have guided and arguably limited German identity debates. Essays on contemporary German literature are complemented by explorations of heritage films and muse...
2010
EN
Historical Dictionary of German Literature to 1945 covers a wide swath of literary analysis and achievement, from Old High German lays and ecclesiastical encomia to Middle High German epics, sagas, and love lyrics. While extensive in its chronological dimension, the Historical Dictionary of German Literature to 1945 is equally comprehensive in the geographical and genre areas it covers.The history of this period in German literature is told through a detailed chro...
Vienna's Dreams of Europe
Culture and Identity Beyond the Nation-State
2015
EN
Vienna's Dreams of Europe puts forward a convincing counter-narrative to the prevailing story of Austria's place in Europe since the Enlightenment. For a millennium, Austrian writers have used images of Europe and its hegemonic culture as their political and cultural reference points. Yet in discussions of Europe's nation-states, Austria appears only as an afterthought, no matter that its precursor states-the Holy Roman Empire, the Austrian Empire, and Austria Hungary-represented ...
2003
EN
Containing entries on over four hundred authors of fiction, poetry and drama from Germany, Austria and Switzerland, this invaluable work of reference presents material of a range and depth that no other book on the subject in English attains. For the second edition, the entries have been updated to include the most recent works of German literature. A number of new entries have been added, dealing in particular with the East German literary scene and the changing literary landscape after r...
Meetings
Autobiographical Fragments
- Translated by
- Maurice S. Friedman
2013
EN
Accessible
Meetings sets forth the life of one of the twentieth-century's greatest spiritual philosophers in his own words. A glittering series of reflections and narratives, it seeks not to describe his life in its full entirety, but rather to convey some of his defining moments of uncertainty, revelation and meaning. Recalling the question on the infinity of space and time which nearly drove Buber to suicide at the age of fourteen, his adolescent 'seduction' by Nietzsche's work, his hero-w...
The Representation of War in German Literature
From 1800 to the Present
2010
EN
The history of literature about war is marked by a fundamental paradox: although war forms the subject of countless novels, dramas, poems, and films, it is often conceived as indescribable. Even as many writers strive towards an ideal of authenticity, they maintain that no representation can do justice to the terror and violence of war. Readings of Schiller, Kleist, Jünger, Remarque, Grass, Böll, Handke, and Jelinek reveal that stylistic and aesthetic features, gender discourses, and conce...











