A literary master’s entertaining guide to reading with deeper insight, better understanding, and greater pleasureWhat makes a work of literature good or bad? How freely can the reader interpret it? Could a nursery rhyme like Baa Baa Black Sheep be full of concealed loathing, resentment, and aggression? In this accessible, delightfully entertaining book, Terry Eagleton addresses these intriguing questions and a host of others. How to Read Literature

A literary master’s entertaining guide to reading with deeper insight, better understanding, and greater pleasureWhat makes a work of literature good or bad? How freely can the reader interpret it? Could a nursery rhyme like Baa Baa Black Sheep be full of concealed loathing, resentment, and aggression? In this accessible, delightfully entertaining book, Terry Eagleton addresses these intriguing questions and a host of others. How to Read Literature

A trenchant analysis of sacrifice as the foundation of the modern, as well as the ancient, social orderThe modern conception of sacrifice is at once cast as a victory of self-discipline over desire and condescended to as destructive and archaic abnegation. But even in the Old Testament, the dual natures of sacrifice, embodying both ritual slaughter and moral rectitude, were at odds. In this analysis, Terry Eagleton makes a compelling argument that the idea of sacri...

A trenchant analysis of sacrifice as the foundation of the modern, as well as the ancient, social orderThe modern conception of sacrifice is at once cast as a victory of self-discipline over desire and condescended to as destructive and archaic abnegation. But even in the Old Testament, the dual natures of sacrifice, embodying both ritual slaughter and moral rectitude, were at odds. In this analysis, Terry Eagleton makes a compelling argument that the idea of sacri...

In this characteristically concise, witty, and lucid book, Terry Eagleton turns his attention to the questions we should ask about literature, but rarely do. What is literature? Can we even speak of "literature" at all? What do different literary theories tell us about what texts mean and do? In throwing new light on these and other questions he has raised in previous best-sellers, Eagleton offers a new theory of what we mean by literature. He also shows what it is that a great ...

Thoroughly revised and expanded for a new generation of readers, this classic guide to enjoying literature to its fullest—a lively, enlightening, and entertaining introduction to a diverse range of writing and literary devices that enrich these works, including symbols, themes, and contexts—teaches you how to make your everyday reading experience richer and more rewarding.While books can be enjoyed for their basic stories, there are often deeper literary meanings beneath the surfac...

In the tradition of E. M. Forster's Aspects of the Novel and Milan Kundera's The Art of the Novel, James Wood's How Fiction Works is a scintillating study of the magic of fiction--an analysis of its main elements and a celebration of its lasting power.Here one of the most prominent and stylish critics of our time looks into the machinery of storytelling to ask some fundamental questions: What do we mean when we say we "know" a fictional c...

The renowned British novelist's "casual and wittily acute guidance" on reading—and writing—great fiction ( Harper's Magazine).Renowned for such classics as A Room with a View, Howards End, and A Passage to India, E. M. Forster was one of Britain's—and the world's—most distinguished fiction writers, a frequent nominee for the Nobel Prize in Literature. In this collection of lectures delivered at Trinity College, Cambridge, in 1927...

A Pulitzer Prize-winning author's revelatory celebration of the novel - at once an anatomy of the art of fiction, a guide for readers and writers and a memoir of literary life.Over her 20 year career, Jane Smiley has written many kinds of novels - mystery, comedy, historical fiction, epic. But when her impulse to write faltered after 9/11, she decided to approach novels from a different angle: she read 100 of them, from the 1000-year-old Tale of Genji to the recent...

Never has contemporary fiction been more widely discussed and passionately analysed; recent years have seen a huge growth in the number of reading groups and in the interest of a non-academic readership in the discussion of how novels work. Drawing on his weekly Guardian column, 'Elements of Fiction', John Mullan examines novels mostly of the last ten years, many of which have become firm favourites with reading groups. He reveals the rich resources of novelistic technique, settingrecent f...

**A gorgeously unique, fully illustrated exploration into the phenomenology of reading—how we visualize images from reading works of literature, from one of our very best book jacket designers, himself a passionate reader.“A playful, illustrated treatise on how words give rise to mental images.” —The New York Times**What do we see when we read? Did Tolstoy really describe Anna Karenina? Did Melville ever really tell us what, exactly, Ishmael looked like? The collec...

Why do we read literature and how do we judge it? C. S. Lewis's classic An Experiment in Criticism springs from the conviction that literature exists for the joy of the reader and that books should be judged by the kind of reading they invite. He argues that "good reading," like moral action or religious experience, involves surrender to the work in hand and a process of entering fully into the opinions of others: "in reading great literature I become a thousand men and yet remain...