The award-winning poet returns to his homeplace in the Pacific Northwest, where the neighborhood simmers with the chemical presence of human trouble and sparks of beauty coexist with danger.This image-driven, sound-driven collection carries us to the working-class Portland neighborhood of Lents, where Dickman was raised by a single mother. Here, as a skateboarding boy practices his kickflip on the street, enlightenment simmers under the surface of both the natural ...

An exhilarating and far-ranging meditation on days and how we live in them in the twenty-first century, from the award-winning poet.Michael Dickman's intuitive, agile verse captures us in its unusual pulse. Image-driven and shape-driven, the poems of Days & Days touch on parenthood, childhood, local natural habitats, graffiti culture, roses, and romantic love. Dickman considers both the internal and external vistas that open before him in the course of a d...

"Their verse . . . is strikingly different. Michael's poems are interior, fragmentary, and austere, often stripped down to single-word lines; they seethe with incipient violence. Matthew's are effusive, ecstatic, and all-embracing, spilling over with pop-cultural references and exuberant carnality." -The New YorkerIdentical twins Michael and Matthew Dickman once invented their own language. Now they have invented an exhilarating book of poem-plays about the fifty states. P...

"Reading Michael [Dickman] is like stepping out of an overheated apartment building to be met, unexpectedly, by an exhilaratingly chill gust of wind."-The New Yorker"These are lithe, seemingly effortless poems, poems whose strange affective power remains even after several readings."-The Believer"My master plan is happiness," writes Michael Dickman in his wonderfully strange third book, Green Migraine. Here, imagination and reality swirl in the ju...

The multi-award winning Dickman twins are from America's outstanding generation of younger poets. Their poetry lives take different expression. Matthew writes with the ebullience of Frank O'Hara, Allen Ginsberg and Jack Kerouac; Michael with the control of William Carlos Williams and Emily Dickinson. But they are unified by the unflinching, remarkable verse they wrote when their older brother took his own life. It is these moving, grieving but life-affirming poems that solely comprise this...

"Hilarity transfiguring all that dread, manic overflow of powerful feeling, zero at the bone-Flies renders its desolation with singular invention and focus and figuration: the making of these poems makes them exhilarating."-James Laughlin Award citation"Reading Michael [Dickman] is like stepping out of an overheated apartment building to be met, unexpectedly, by an exhilaratingly chill gust of wind."-The New Yorker"These are lithe, seemingly effortless poe...

"Dickman's book moves with careful intensity as it confidently illuminates buried, contemporary suffering."—Publishers Weekly"Elizabeth Bishop said that the three qualities she admired most in poetry were accuracy, spontaneity, and mystery. Michael Dickman's first full-length collection of poems demonstrates each brilliantly....These are lithe, seemingly effortless poems, poems whose strange affective power remains even after several readings. Again and again the language ...

The award-winning poet returns to his homeplace in the Pacific Northwest, where the neighborhood simmers with the chemical presence of human trouble and sparks of beauty coexist with danger.This image-driven, sound-driven collection carries us to the working-class Portland neighborhood of Lents, where Dickman was raised by a single mother. Here, as a skateboarding boy practices his kickflip on the street, enlightenment simmers under the surface of both the natural ...

**The Pulitzer Prize winner’s final written work: poems of penetrating acceptance and humor, whose soul-sweeping gaze encompasses his own autobiography and the broken world he nonetheless gives thanks for“His hands strip poetry to its nub.” —Los Angeles Times“Reading [Wright] is like walking through a plate-glass window on purpose. . . . The shattering sound you heard was your own heart breaking.” —Chicago Tribune**“My death is in the second drawer...

These poems topics range from hate crimes to playgrounds, from international conflict to hometowns, from falling in love to the desperation of loneliness. Gibsons work seizes us by the collar and hauls us inside some of her darkest moments, then releases us out the other side. 

Braided Creek contains more than 300 poems exchanged in this longstanding correspondence. Wise, wry, and penetrating, the poems touch upon numerous subjects, from the natural world to the nature of time. Harrison and Kooser decided to remain silent over who wrote which poem, allowing their voices, ideas, and images to swirl and merge into this remarkable suite of lyrics.Each time I go outside the worldis different. This has happenedall my life.*

“Poetry,” writes best-selling author Ellen Bass, “is the way I pay attention, appreciate, give praise, struggle, grieve, rage, and pray. It’s the way I embody my love for the world.”The Human Line, Bass’ seventh book of poems, startles with its precise detail, intimate images, and wild metaphors. Bass brings attention to life’s endearing absurdities, and many of the poems flash with a keen sense of humor. She also faces many of the crucial moral dilemmas of our time—geneti...