Showing results for "greg hodges"
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2020
EN
Accessible
JavaScript is the native language of the Internet. Originally created to make web pages more dynamic, it is now used for software projects of all kinds, including scientific visualization and data services. However, most data scientists have little or no experience with JavaScript, and most introductions to the language are written for people who want to build shopping carts rather than share maps of coral reefs.This book will introduce you to JavaScript's power and idiosyncrasies ...
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- Jose Romeno FaleiroAlvaro Castañeda VildózolaRobert HaackCrebio AvilaMark HoddleAlberto UrbanejaAna Diaz MontillaJuli GouldAndrea BirkeAldo MalavasiV SatarkarRaymond GagneJuliet GoldsmithJ. Ramon Castillo ValienteJose Carlos RodriguesCal WelbournDenise NaviaAmy RodaMark CulikJ AlvarezTakumasa KondoGregory EvansKenneth StoreyMichael HennesseyDavid BartelsAnne RoyAna Isabel GonzalezGreg HodgesJose Roberto Postali Parra
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- CABI Invasives Series
2013
EN
Invasive arthropods cause significant damage in agricultural crops and natural environments across the globe. Potentially threatened regions need to be prepared to prevent new pests from becoming established. Therefore, information on pest identity, host range, geographical distribution, biology, tools for detection and identification are all essential to researchers and regulatory personnel. This book focuses on the most recent invasive pests of agricultural crops in temperate subtropical...
2009
EN
Neo-noir knows its past. It knows the rules of the game – and how to break them. From Point Blank (1998) to Oldboy (2003), from Get Carter (2000) to 36 Quai des Orfèvres (2004), from Catherine Tramell to Max Payne, neo-noir is a transnational global phenomenon. This wide-ranging collection maps out the terrain, combining genre, stylistic and textual analysis with Marxist, feminist, psychoanalytic and industrial approaches. Essays discuss works from the U...
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- Columbia Themes in Philosophy
2015
EN
The renowned philosopher and political theorist presents a summation of his influential work in this series of Columbia University lectures.A pioneer in the fields of modern linguistics and cognitive science, Noam Chomsky is also one of the most avidly read political theorist of our time. In this series of lectures, Chomsky presents more than half a century of philosophical reflection on all three of these areas.In precise yet accessible language, Chomsky e...
2012
EN
Almost everything you need to know in one essential guideSeeing a film is only half the fun. The real joy comes from arguing about it afterwards in the pub or on the journey home. But have you ever felt you needed to know a little more?This book offers a concise introduction to the appreciation and study of film. This second edition begins with an examination of early film theory before analysing how films are put together - framing, performance, setting, costume and editin...
2008
EN
A Comics Studies Reader offers the best of the new comics scholarship in nearly thirty essays on a wide variety of such comics forms as gag cartoons, editorial cartoons, comic strips, comic books, manga, and graphic novels.The anthology covers the pioneering work of Rodolphe Töpffer, the Disney comics of Carl Barks, and the graphic novels of Art Spiegelman and Chris Ware, as well as Peanuts, romance comics, and superheroes. It explores the stylistic achievements o...
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- Routledge Film Guidebooks
2009
EN
Horror cinema is a hugely successful, but at the same time culturally illicit genre that spans the history of cinema. It continues to flourish with recent cycles of supernatural horror and torture porn that span the full range of horror styles and aesthetics. It is enjoyed by audiences everywhere, but also seen as a malign influence by others.In this Routledge Film Guidebook, audience researcher and film scholar Brigid Cherry provides a comprehensive overview of the horror film and...
The Heist Film
Stealing with Style
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- Short Cuts
2014
EN
A concise introduction to the genre about that one last big score, The Heist Film: Stealing With Style traces this crime thriller's development as both a dramatic and comic vehicle growing out of film noir (Criss Cross, The Killers, The Asphalt Jungle), mutating into sleek capers in the 1960s (Ocean's Eleven, Gambit, How to Steal a Million) and splashing across screens in the 2000s in remake after remake (The Thomas Crown A...
The Film Paintings of David Lynch
Challenging Film Theory
2014
EN
One of the most distinguished filmmakers working today, David Lynch is a director whose vision of cinema is firmly rooted in fine art. He was motivated to make his first film as a student because he wanted a painting that “would really be able to move.” Most existing studies of Lynch, however, fail to engage fully with the complexities of his films’ relationship to other art forms. The Film Paintings of David Lynch fills this void, arguing that Lynch’s cinematic output needs to be...
Film Noir
From Berlin to Sin City
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- Short Cuts
2005
EN
Film Noir explores the murky world of a genre responsible for many of film's most enduring images. Mark Bould discusses problems of definition and the often ambiguous nature of film noir and looks at modern films that could be called neo-noir. Iconic and enduring, film noir attracted great stars (Bogart, Bacall, Mitchum, Lancaster), many of the best directors of the era (Wilder, Lang, Preminger, Hawks, Siodmak, Welles) and this book is an indispensible guide to this popular genre....
Mean Streets and Raging Bulls
The Legacy of Film Noir in Contemporary American Cinema
2000
EN
Classic film noir was Hollywood's 'dark cinema' of crime and corruption; a genre underpinned by a tone of existential cynicism which stripped bare the myth of the American Dream and offered a bleak, nightmarish vision of a fragmented society that rhymed with many of the social realities of forties and fifties America. Mean Streets and Raging Bulls explores how, since its apparent demise in the late fifties, the noir genre has been revitalized during the post-studio era. The book is divided...
2012
EN
Accessible
Bringing together twenty-five years of work on what he has called the "historical poetics of cinema," David Bordwell presents an extended analysis of a key question for film studies: how are films made, in particular historical contexts, in order to achieve certain effects? For Bordwell, films are made things, existing within historical contexts, and aim to create determinate effects. Beginning with this central thesis, Bordwell works out a full understanding of ...











