While there has been a gradual increase in scholarship on men, ageing and masculinities, little attention has been paid to the social relations of men in later life and the implications for enhancing their social wellbeing and counteracting ageist discourse.Bringing together scholars in social gerontology and the social sciences from across Global North and South nations, this collection fills the gaps in key texts by foregrounding older men’s experiences.It provides new pe...

Coming home to Oxford, Mississippi, in 1918 after a stint in the Royal Flying Corps, young William Faulkner was arty and dandified. He sometimes was seen in his airman's uniform, and he affected English manners. His pose amused some of his townsmen, and joking behind his back, they called him "The Count" and "Count No 'Count."During this period Ben Wasson met Faulkner at the University of Mississippi, where both were students. Their interest in art and literature drew them together...

New York Times 'Best Art Books' 2020'Essential' – Sunday Times'Brilliantly enraged' - New York Review of Books'A real game-changer'– EconomistWalk into any Western museum today and you will see the curated spoils of Empire. They sit behind plate glass: dignified, tastefully lit. Accompanying pieces of card offer a name, date and place of origin. They do not mention that the objects are all stolen.Few artefacts embo...

As the number of people affected by dementia continues to rise, this is the first in-depth examination of related services dedicated to the unique demands of remote and rural settings.Contributors from the UK, Australia, North America and Europe explore the experiences and requirements of those living with dementia and those caring for them in personal and professional capacities in challenging geographical locations. For practitioners, researchers, academics and policy makers, thi...

**A NEW YORK TIMES Notable Book of the Year“In her book about her life, Miss Hepburn insists that that woman in the movies was not her at all. ‘I’m not going to hide behind you anymore,’ she says. ‘Who are you anyway? You're not me.’ Sure she is. The woman in the book is cocky, fearless, smart, capable, and human, on screen and off.”—Anna Quindlen, The New York Times**Admired and beloved by movie audiences for more than sixty years, four-time Academy Award...

One of the movies' greatest actors and most colorful characters, a real-life tough guy with the prison record to prove it, Robert Mitchum was a movie icon for an almost unprecedented half-century, the cool, sleepy-eyed star of such classics as The Night of the Hunter; Heaven Knows, Mr. Allison; Cape Fear; The Longest Day; Farewell, My Lovely; and The Winds of War. Mitchum's powerful presence and simmering violence combined with hard-boiled humor and existential detachment to create a new s...

The legendary Hollywood star blazes a fiery trail in this enthralling portrait of a brilliant actress and the movies her talent elevated to greatnessShe was magnificent and exasperating in equal measure. Jack Warner called her "an explosive little broad with a sharp left." Humphrey Bogart once remarked, "Unless you're very big she can knock you down." Bette Davis was a force of nature—an idiosyncratic talent who nevertheless defined the words "movie star" for more t...

Richard Schickel's text, combining critical analysis and a re-interpretation of all the available biographical information, masterfully maps the intersections where a great star's personal history and his screen personality met in a style as elegant, graceful and witty as the actor himself.

"She could look demure while behaving like an empress. Blonde, with eyes like pearls too big for her head, she was very striking, but marginally pretty and certainly not beautiful . . . But it was her edge that made her memorable—her upstart superiority, her reluctance to pretend deference to others."Bette Davis was the commanding figure of the great era of Hollywood stardom, with a drive and energy that put her contemporaries in the shade. She played queens, jezebels, and bitches; ...

Blonde, vivacious Jean Arthur is best remembered today for her unizue, childlike voice and for the handful of classic Thirties and Forties movies she made for directors Frank Capra and George Stevens, such as You Can't Take It With You, Mr. Smith Goes to Washington, The More the Merrier and her last picture Shane, released in 1953. But not many know that her 30-year film career dates from the early Twenties, when she was an inexperienced contract player at Fox. In fact, Arthur appeared in ...

Dorothy Parker holds a place in history as one of New Yorks most beloved writers. Now, for the first time in nearly a century, the public is invited to enjoy Mrs. Parkers sharp wit and biting commentary on the Jazz Age hits and flops in this first-ever published collection of her groundbreaking Broadway reviews.Starting when she was twenty-four at Vanity Fair as New Yorks only female theatre critic, Mrs. Parker reviewed some of the biggest names of the era: the Barrymores, George M...

The Oscar-winning screenwriter of On the Waterfront recounts his life, his career, and "how Hollywood became the dream factory it still is today" ( Kirkus Reviews).When Seymour Wilson "Budd" Schulberg moved from New York to Los Angeles as a child, Hollywood's filmmaking industry was just getting started. To some, the region was still more famous for its citrus farms than its movie studios. In this iconic memoir, Schulberg, the son of one of Tinsel...