Memory, Space and Sound presents a collection of essays from scholars in a range of disciplines that together explore the social, spatial and temporal contexts that shape different forms of music and sonic practice. The contributors deploy different theoretical perspectives and methodological approaches from musicology, ethnomusicology, popular music studies, cultural history, media studies and cultural studies as they analyse an array of examples, including live performances, mus...

There is no question that celebrities these days are some of the most prominent faces of philanthropic activity – yet their participation raises questions about efficacy, motivations and activism overall. This book presents case studies of celebrity philanthropy from around the globe – including such figures as Shakira, Arundhati Roy, Zhang Ziyi, Bono and Madonna – looking at the tensions between celebrity activism and ground-level work and the relationship between celebrity philanthropy a...

Zombies, vampires and mummies are frequent stars of American horror films. But what does their cinematic omnipresence and audiences’ hunger for such films tell us about American views of death? Here, Outi Hakola investigates the ways in which American living-dead films have addressed death through different narrative and rhetorical solutions during the twentieth century. She focuses on films from the 1930s, including Dracula, The Mummy and White Zombie, films of ...

Frontiers of Screen History provides an insightful exploration into the depiction and imagination of European borders in cinema after the Second World War. While films have explored national and political borders, they have also attempted to identify, challenge and imagine frontiers of another kind: social, ethnic, religious and gendered. The book investigates all these perspectives. Its unique focus on the representation of European borders and frontiers via film is groundbreaking, openin...

English pop music was a dominant force on the global cultural scene in the decades after World War II – and it served a key role in defining, constructing and challenging various ideas about Englishness in the period. Kari Kallioniemi covers a stunning range of styles of pop – from punk, reggae and psychedelia to jazz, rock, Brit Pop and beyond – as he explores the question of how various artists (including such major figures as David Bowie and Morrissey), genres and pieces of music contri...

This searing critique of participatory art—from its development to its political ambitions—is “an essential title for contemporary art history scholars and students as well as anyone who has . . . thought, ‘Now that’s art!’ or ‘That’s art?’” (Library Journal)Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take pa...

François Penz is an architect and a teacher in the Faculty of Architecture and History of Art at the University of Cambridge.Andong Lu is a research associate at the University of Cambridge.

This volume provides a comprehensive introduction to the critical debates around the heritage film, from its controversial status in British cinema of the 1980s to its expansion into a versatile international genre in the 1990s and 2000s. This study explores the heritage film in light of questions of national identity in film and television, industry and funding, and history, gender and representation. Using a wide range of examples and including an in-depth analysis of three case studies ...

As the art world eagerly embraces a journalistic approach, Aesthetic Journalism explores why contemporary art exhibitions often consist of interviews, documentaries and reportage. This new mode of journalism is grasping more and more space in modern culture and Cramerotti probes the current merge of art with the sphere of investigative journalism. The attempt to map this field, here defined as ‘Aesthetic Journalism’, challenges, with clear language, the definitions of both art and journali...

In The Place of Artists’ Cinema, Maeve Connolly identifies a recurrent concern with site, space and cinema architecture in film and video works by artists, extending from the late 1960s to the present day. Focusing on developments over the past decade, Connolly provides in-depth readings of selected recent works by twenty-four different artists, ranging from multi-screen projections to site-specific installations and feature-length films. She also explores changing structures of e...

This volume pursues a new line of research in cultural memory studies by understanding memory as a performative act in art and popular culture. The authors take their cue from the observation that art and popular culture enact memory and generate processes of memory. They do memory, and in this doing of memory new questions about the cultural dimensions of memory arise: How do art objects and artistic practices perform the past in the present? What is their relationship to the arc...

This volume is the first edited collection of essays focusing on European horror cinema from 1945 to the present. It features new contributions by distinguished international scholars exploring British, French, Spanish, Italian, German and Northern European and Eastern European horror cinema. The essays employ a variety of current critical methods of analysis, ranging from psychoanalysis and Deleuzean film theory to reception theory and historical analysis. The complete volume offers a maj...