John O’Brian is professor of art history at the University of British Columbia.Jeremy Borsos is a visual artist whose exhibitions have been reviewed in Art in America and Canadian Art.

Design a silly face...or a scary one, or a fairy one, or anything else you can dream up!The world-renowned authors of Extreme Face Painting are taking it back to the basics, with some innovative twists. All ages and all skill levels will learn the secrets to creating awesome face art with easy-to-find materials, friendly instruction for beginners, and fresh inspiration for more seasoned face painters.• 40 all-new, step-by-step projects.• Awa...

From the postapocalyptic world of Blade Runner to theJames Cameron mega-hit Terminator, tech-noir has emerged as a distinct genre, with roots in both the Promethean myth and the earlier popular traditions of gothic, detective, and science fiction. In this new volume, many well-known film and literary works—including The Matrix, RoboCop, and Mary Shelley’s Frankenstein—are discussed with reference to their relationship to tech-noir and one another. Featur...

François Penz is an architect and a teacher in the Faculty of Architecture and History of Art at the University of Cambridge.Andong Lu is a research associate at the University of Cambridge.

Who knows what makes playing with slime so tactually satisfying. Whatever the reason, Ultimate Slime is here with over 100 borax-free recipes invented by the CraftySlimeCreator, Alyssa Jagan.Written by Alyssa Jagan, popular Instagram slimer of @CraftySlimeCreator fame, Ultimate Slime makes creating gorgeous, satisfying slime easy! You’ll see how to do everything you need to create a world of slime in a rainbow of ...

New Zealand has produced one of the world’s most vibrant film cultures, a reflection of the country’s evolving history and the energy and resourcefulness of its people. From early silent features like The Te Kooti Trail to recent films such as River Queen, this book examines the role of the cinema of New Zealand in building a shared sense of national identity. The works of key directors, including Peter Jackson, Jane Campion, and Vincent Ward, are here introduced in a new...

Since the 1990s, women artists have led the contemporary art world in the creation of art depicting female adolescence, producing challenging, critically debated and avidly collected artworks that are driving the current and momentous shift in the perception of women in art. Girls! Girls! Girls! presents essays from established and up-and-coming scholars who address a variety of themes, including narcissism, nostalgia, post-feminism and fantasy with the goal of approaching the ove...

Mika Kaurismäki’s films challenge many boundaries – national societies, genre formations, art/popular culture, fiction/documentary, humanity/nature and problematic distinctions between different zones of development. Synthesizing concepts from a range of thematic frameworks – e.g. auteurism, eco-philosophy, genre, cartography, cineaste networks, global reception, distribution and exhibition practices, and the potential of postnationalism – this book provides an interdisciplinary reading of...

Cultural production as we know it has been undergoing significant restructuring. In an effort to compensate for the global decline in economic growth, governments and corporations have begun to seriously consider the creative fields as markets that can be stimulated through venture capital and regional development initiatives. Along with the neoliberalization of cultural institutions, a conservative agenda that is buttressed by a war economy confronts critics and activists with the repress...

Following the success of prominent feature films shot on location, including Tolkien’s wildly popular The Lord of the Rings, New Zealand boasts an impressive film tourism industry. This book examines the relationship between New Zealand’s cinematic representation—as both a vast expanse of natural beauty and a magical world of fantasy on screen—and its tourism imagery, including the ways in which savvy local tourism boards have in recent decades used the country’s film representati...

In 1893 Friedrich Engels branded history “the cruelest goddess of all.” This sorrowful vision of the past is deeply rooted in the Western imagination, and history is thus presented as a joyless playground of inevitability rather than a droll world of possibilities. There are few places this is more evident than in historical cinema which tends to portray the past in a somber manner.Historical Comedy on Screen examines this tendency paying particular attention to the themes...

In Marion Richardson: Her Life and Her Contribution to Handwriting, Rosemary Sassoon’s recognizes Richardson’s groundbreaking contribution to the freeing of the teaching of child art and her two handwriting schemes – the main one based on her observations of children’s pattern paintings and the natural movement of young children’s hands. In both areas of her work she changed attitudes worldwide. The book promotes the value and creativity of child art and writing viewed as a natura...