Given the vast inventory of verbal and visual images of nonhuman animals—pigs, dogs, vermin, rodents, apes disseminated for millennia to debase, dehumanize, and justify the persecution of Jews, Bestiarium Judaicum asks: What is at play when Jewish-identified writers tell animal stories?Focusing on the nonhuman-animal constructions of primarily Germanophone authors, including Sigmund Freud, Heinrich Heine, Franz Kafka, and Gertrud Kolmar, Jay Geller expands his earlier exam...

Theory, as it’s happened across the humanities, has often been coded as “Jewish.” This collection of essays seeks to move past explanations for this understanding that rely on the self-evident (the historical centrality of Jews to the rise of Critical Theory with the Frankfurt School) or stereotypical (psychoanalysis as the “Jewish Science”) in order to show how certain problematics of modern Jewishness enrich theory.In the range of violence and agency that attend the appellation “...

A Pulitzer Prize Winner and landmark book from one of the truly original scholars of our time: a magnificent revelation of turn-of-the-century Vienna where out of a crisis of political and social disintegration so much of modern art and thought was born."Not only is it a splendid exploration of several aspects of early modernism in their political context; it is an indicator of how the discipline of intellectual history is currently practiced by its most able and ambitious craftsme...

A "compelling" history of German cultural and intellectual development from 1750 to the twentieth century ( Financial Times).From the end of the Baroque era and the death of Bach to the rise of Hitler, Germany was transformed from a poor relation among Western nations into a dominant intellectual and cultural force. By 1933, Germans had won more Nobel Prizes than the British and Americans combined. Yet this remarkable genius was cut down in its prime by Ado...

Playwright, poet and activist Bertolt Brecht (1898–1956) was known for his theory of the Epic Theatre and his attempts to break down the division between high art and popular culture. The Threepenny Opera, his collaboration with composer Kurt Weill, was a milestone in musical theatre, and plays like Mother Courage and Galileo changed the course of modern drama and aesthetic theory.Framed by two world wars, the Weimar Republic and a global depression, Nazis...

Franz Kafka was the poet of his own disorder. Throughout his life he struggled with a pervasive sense of shame and guilt that left traces in his daily existence—in his many letters, in his extensive diaries, and especially in his fiction. This stimulating book investigates some of the sources of Kafka’s personal anguish and its complex reflections in his imaginary world.In his query, Saul Friedländer probes major aspects of Kafka’s life (family, Judaism, love and sex, writin...

Nobel Prize-winner Thomas Mann (1875–1955) is not only one of the leading German novelists of the twentieth century, but also one of the few to transcend national and language boundaries to achieve major stature in the English-speaking world. Famous from the time that he published his first novel in 1901, Mann became an iconic figure, seen as the living embodiment of German national culture. Leading scholar Todd Kontje provides a succinct introduction to Mann's life and work, discussing ke...

Deemed by Heinrich Heine a city of merchants where poets go to die, Hamburg was an improbable setting for a major intellectual movement. Yet it was there, at the end of World War I, at a new university in this commercial center, that a trio of twentieth-century pioneers in the humanities emerged. Working side by side, Aby Warburg, Ernst Cassirer, and Erwin Panofsky developed new avenues in art history, cultural history, and philosophy, changing the course of cultural and intellectual histo...

Short-listed for the Tractatus Essay Prize, an examination of the innovative strategies Arendt used to achieve intellectual freedomAfter observing the trial of Adolf Eichmann, Hannah Arendt articulated her controversial concept of the “banality of evil,” thereby posing one of the most chilling and divisive moral questions of the twentieth century: How can genocidal acts be carried out by non-psychopathic people? By revealing the full complexity of the trial with re...

An examination of the association between the influential and controversial philosopher's ideas and fascistic beliefs.Frequently described as the "radical aristocrat" of the spirit, Friedrich Nietzsche abhorred mass culture and strove to cultivate an Übermensch endowed with exceptional mental qualities. What can such a thinker have in common with the fascistic manipulation of the masses for chauvinistic goals that crushed the autonomy of the individual? The questio...

Pioneering biblical critic, theorist of democracy, and legendary conflater of God and nature, Jewish philosopher Baruch Spinoza (1632-1677) was excommunicated by the Sephardic Jews of Amsterdam in 1656 for his "horrible heresies" and "monstrous deeds." Yet, over the past three centuries, Spinoza's rupture with traditional Jewish beliefs and practices has elevated him to a prominent place in genealogies of Jewish modernity. The First Modern Jew provides a riveting look at how Spino...

What role do legal trials have in collective processes of coming to terms with a history of mass violence? How does the theatrical structure of a criminal trial facilitate and limit national processes of healing and learning from the past? This study begins with the widely publicized, historic trials of three Nazi war criminals, Eichmann, Barbie, and Priebke, whose explicit goal was not only to punish, but also to establish an officially sanctioned version of the past. The Truth a...