Phobia and American Literature, 1705-1937: A Therapeutic History tells a neglected, two-century history of phobia's gradual emergence as a variable suffix in medicine, politics, and literature, ready to be appended to an array of objects, situations, and ideas. Across psychology's early American and nineteenth-century varieties, phobia prompted a remarkable genealogy of thought in the Americas. Literary figures adapted conversations and debates happening among physicians to popula...

Toward the end of her life, Sarah Orne Jewett (1849–1909) made a surprising disclosure. Instead of the critically lauded The Country of the Pointed Firs, Jewett declared her “best story” to be A Marsh Island (1885), a little-known novel. Why? One reason is that it demonstrates Jewett’s range. Known primarily for her vignettes, Jewett accomplished in these pages a truly great novel. Undoubtedly, another reason lies in the novel’s themes of queer kinship and same-sex domest...

Toward the end of her life, Sarah Orne Jewett (1849–1909) made a surprising disclosure. Instead of the critically lauded The Country of the Pointed Firs, Jewett declared her “best story” to be A Marsh Island (1885), a little-known novel. Why? One reason is that it demonstrates Jewett’s range. Known primarily for her vignettes, Jewett accomplished in these pages a truly great novel. Undoubtedly, another reason lies in the novel’s themes of queer kinship and same-sex domest...