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Social History of Art, Volume 2
Renaissance, Mannerism, Baroque
2005
EN
First published in 1951 Arnold Hauser's commanding work presents an account of the development and meaning of art from its origins in the Stone Age through to the Film Age. Exploring the interaction between art and society, Hauser effectively details social and historical movements and sketches the frameworks in which visual art is produced.This new edition provides an excellent introduction to the work of Arnold Hauser. In his general introduction to The Social History of Art,
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The Renaissance
A Short History
- Book 1 -
- Modern Library Chronicles
2007
EN
The Renaissance holds an undying place in the human imagination, and its great heroes remain our own, from Michelangelo and Leonardo to Dante and Montaigne. This period of profound evolution in European thought is credited with transforming the West from medieval to modern; reviving the city as the center of human activity and the acme of civilization; and, of course, producing the most astonishing outpouring of artistic creation the world has ever known. Perhaps no era in history was more...
The Renaissance
A Very Short Introduction
- Series -
- Very Short Introductions
2006
EN
More than ever before, the Renaissance stands as one of the defining moments in world history. Between 1400 and 1600, European perceptions of society, culture, politics and even humanity itself emerged in ways that continue to affect not only Europe but the entire world. This wide-ranging exploration of the Renaissance sees the period as a time of unprecedented intellectual excitement and cultural experimentation and interaction on a global scale, alongside a darker side of religion, intol...
Financial Vipers of Venice
Alchemical Money, Magical Physics, and Banking in the Middle Ages and Renaissance
2013
EN
In this sequel to Babylon's Banskters. The banksters have moved from Mesopotamia via Rome to Venice. There, they have manipulated popes and bullion prices, clipped coins, sacked Constantinople, destroyed rival Florence, waged war, burned "heretics" and suppressed hidden secrets threatening their financial supremacy... until Giordano Bruno and Christopher Columbus, broke the banking cartel's control of information and bullion...
Eyewitnessing
The Uses of Images as Historical Evidence
2011
EN
Eyewitnessing evaluates the place of images among other kinds of historical evidence. By reviewing the many varieties of images by region, period and medium, and looking at the pragmatic uses of images (e.g. the Bayeux Tapestry, an engraving of a printing press, a reconstruction of a building), Peter Burke sheds light on our assumption that these practical uses are ‘reflections’ of specific historical meanings and influences. He also shows how this assumption can be problematic.
The Garments of Court and Palace
Machiavelli and the World That He Made
2013
EN
A "serious and thoughtful" interpretation of Machiavelli's life and thought—and its relevance today—from the acclaimed author of Terror and Consent ( The Times, London).Constitutional scholar Philip Bobbitt turns his expert attention to the life and work of Niccolo Machiavelli, the sixteenth century political philosopher whose classic text The Prince remains one of the most important and controversial works of political theory ever writte...
2013
EN
The mother tongue of the Roman Empire and the lingua franca of the West for centuries afterward, Latin survives today primarily in classrooms and texts. Yet this "dead language" is unique in the influence it has exerted across centuries and continents. Juergen Leonhardt offers the story of the first "world language," from antiquity to the present.
The Italian Renaissance
Culture and Society in Italy
2013
EN
In this brilliant and widely acclaimed work, Peter Burke presents a social and cultural history of the Italian Renaissance. He discusses the social and political institutions which existed in Italy during the fifteenth and sixteenth centuries and analyses the ways of thinking and seeing which characterized this period of extraordinary artistic creativity. Developing a distinctive sociological approach, Peter Burke is concerned with not only the finished works of Michelangelo, Raphael, Leon...
2006
EN
In this updated edition of his classic account, Charles Nauert charts the rise of humanism as the distinctive culture of the social, political and intellectual elites in Renaissance Europe. He traces humanism's emergence in the unique social and cultural conditions of fourteenth-century Italy and its gradual diffusion throughout the rest of Europe. He shows how, despite its elitist origins, humanism became a major force in the popular culture and fine arts of the fifteenth and sixteenth ce...
- Translated by
- John TedeschiAnne C. Tedeschi
2013
EN
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Carlo Ginzburg considers how we assign historical context to events.More than twenty years after Clues, Myths, and the Historical Method was first published in English, this extraordinary collection remains a classic. The book brings together essays about Renaissance witchcraft, National Socialism, sixteenth-century Italian painting, Freud’s wolf-man, and other topics. In the influential centerpiece of the volume Carlo Ginzburg places historical knowledge ...
2013
EN
The Art of Conversation is a major contribution to the social history of language - a relatively new field which has become the focus of lively interdisciplinary debate in recent years.Drawing on the work of sociolinguists and others, Burke uses their concept while reserving the right to qualify their theories where the historical record makes this seem appropriate. Like the sociolinguists, Burke in concerned with the way language varies according to who is communicating t...
Italian Masculinity as Queer Melodrama
Caravaggio, Puccini, Contemporary Cinema
2015
EN
Offering queer analyses of paintings by Caravaggio and Puccini and films by Özpetek, Amelio, and Grimaldi, Champagne argues that Italian masculinity has often been articulated through melodrama. Wide in scope and multidisciplinary in approach, this much-needed study shows the vital role of affect for both Italian history and masculinity studies.











