Since the advent of modernity, art has been associated with freedom, provocation and courage. In 1972, art was to unfold its potential as an emancipatory and creative force as part of the Gesamtkunstwerk of the XX. Olympic Games in Munich—according to the grand vision of its planners. The international avant-garde of the time, including Walter de Maria, Gerhard Richter, Andy Warhol and Dan Flavin, enthusiastically developed revolutionary concepts. Many of these remained in draft-form. Afte...

Deleuze remains indifferent to the ambient pathos related to the end of metaphysics and compares the undertakings of destruction, overcoming and deconstruction of metaphysics with the gestures of murderers. He considers himself “a pure metaphysician,” which is rather unique in the contemporary philosophical landscape. What are we to make of this and similar claims? What do they mean in light of the effort made during the last several centuries to overcome, overturn, destroy, or deconstruct...