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On the Track
A Guide to Contemporary Film Scoring
2013
EN
Accessible
On the Track offers a comprehensive guide to scoring for film and television. Covering all styles and genres, the authors, both noted film composers, cover everything from the nuts-and-bolts of timing, cuing, and recording through balancing the composer's aesthetic vision with the needs of the film itself. Unlike other books that are aimed at the person "dreaming" of a career, this is truly a guide that can be used by everyone from students to technically sophisticated professiona...
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2012
EN
How Music Works is David Byrne's bestselling, buoyant celebration of a subject he has spent a lifetime thinking about. Drawing on his own work over the years with Talking Heads, Brian Eno, and his myriad collaborators - along with journeys to Wagnerian opera houses, African villages, and anywhere music exists - Byrne shows how music emerges from cultural circumstance as much as individual creativity. It is his magnum opus, and an impassioned argument about music's liberating, life...
Perfecting Sound Forever
An Aural History of Recorded Music
2009
EN
In 1915, Thomas Edison proclaimed that he could record a live performance and reproduce it perfectly, shocking audiences who found themselves unable to tell whether what they were hearing was an Edison Diamond Disc or a flesh-and-blood musician. Today, the equation is reversed. Whereas Edison proposed that a real performance could be rebuilt with absolute perfection, Pro Tools and digital samplers now allow musicians and engineers to create the illusion of performances that never were. In ...
The Blue Moment
Miles Davis's Kind of Blue and the Remaking of Modern Music
2011
EN
'It is the most singular of sounds, yet among the most ubiquitous. It is the sound of isolation that has sold itself to millions.'Miles Davis's Kind of Blue is the best selling piece of music in the history of jazz, and for many listeners among the most haunting in all of twentieth-century music. It is also, notoriously, the only jazz album many people own. Recorded in 1959 (in nine miraculous hours), there has been nothing like it since. Its atmosphere - slow, da...
The Funniest People in Music, Volume 3: 250 Anecdotes
The Funniest People in Music, #3
- Book 3 -
- The Funniest People in Music
2011
EN
Some samples: 1) Rock goddesses have kids, too. Pat Benatar was a major 1980s rock star and continues to play today. Her songs such as "Heartbreaker" are on Guitar Hero, and lots of children—and adults—rock out to them, including her two daughters, Haley and Hana. Of course, kids can ask embarrassing questions, and Haley and Hana sometimes ask their mom this question about the Spandex pants she used to wear on stage: "How did you get into those pants?" 2) What if you were in a plane, a sto...
The Funniest People in Music, Volume 2: 250 Anecdotes
The Funniest People in Music, #2
- Book 2 -
- The Funniest People in Music
2011
EN
Some samples: 1) Dee Dee Ramone could be pretty crazy. When the Ramones first played in London, their record company gave them unlimited room service, and Dee Dee acted the way that he thought a rock star should act and ordered so many bottles of Scotch that in two days his room service bill was $700. The record company representatives were surprised by the size of the bill, and they told Dee Dee, "We just thought you were going to order some cheese sandwiches and Coca-Cola." 2) In New Yor...
Making Records
The Scenes Behind the Music
2007
EN
Sinatra. Streisand. Dylan. Pavarotti. McCartney. Sting. Madonna. What do these musicians have in common besides their super-stardom? They have all worked with legendary music producer Phil Ramone.For almost five decades, Phil Ramone has been a force in the music industry. He has produced records and collaborated with almost every major talent in the business. There is a craft to making records, and Phil has spent his life mastering it. For the first time ever, he s...
2011
EN
Classical purists say it isn't 'real' music, yet it regularly tops charts and plays to sell-out concert hall audiences. Chart music followers consider the orchestral form passé, yet artists are increasingly sampling from cinema classics. Many cinemagoers are unaware there is music accompanying the films they watch. Some composers say that's the way it should be. Others strongly disagree. This book celebrates the rich history behind all these views.Who have been the most influential...
2012
EN
The story of the music that accompanies the cinematic adventures of Ian Fleming's intrepid Agent 007 is one of surprising real-life drama. In The Music of James Bond, author Jon Burlingame throws open studio and courtroom doors alike to reveal the full and extraordinary history of the sounds of James Bond, spicing the story with a wealth of fascinating and previously undisclosed tales. Burlingame devotes a chapter to each Bond film, providing the backstory for the music (including...
Capturing Sound
How Technology Has Changed Music
2010
EN
There is more to sound recording than just recording sound. Far from being simply a tool for the preservation of music, the technology is a catalyst. In this award-winning text, Mark Katz provides a wide-ranging, deeply informative, consistently entertaining history of recording's profound impact on the musical life of the past century, from Edison to the Internet. Fully revised and updated, this new edition adds coverage of mashups and Auto-Tune, explores recent developments in file-shari...
2013
EN
This accessible Introduction explores both mainstream and experimental manifestations of electronic music. From early recording equipment to the most recent multimedia performances, the history of electronic music is full of interesting characters, fascinating and unusual music, and radical technology. Covering many different eras, genres and media, analyses of works appear alongside critical discussion of central ideas and themes, making this an essential guide for anyone approaching the ...
Knowing the Score
Film Composers Talk About the Art, Craft, Blood, Sweat, and Tears of Writing for Cinema
2013
EN
This collection of interviews with Hollywood composers offers the most intimate look ever at the process of writing music for the movies. From getting started in the business to recording the soundtrack, from choosing a musical style to collaborating with directors, including Martin Scorsese, Stanley Kubrick, the Coen brothers, Terry Gilliam, Kenneth Branagh, and Ken Russell, from learning to deal with editing to writing with time-sensitive precision, the leading practitioners in the field...











