By staging human-animal encounters, Romantic literature and art repeatedly questioned how "human" animals could be and how "animal" humans in fact are. Romantic-era authors and artists often depicted perplexing animal intrusions upon humans. Sometimes the intruders were mystifying or terrifying, like Coleridge’s albatross or Poe’s raven; sometimes they were mundane, as in “The Swallow” by Smith or “To a Mouse” by Burns—regardless, encounters with animal-others occasioned Romantic musings. ...