The Hudson Review has always had an international focus. Travel and reports from abroad have figured prominently in the journal, including essays on exotic and picturesque locales, as well as accounts from war-torn areas and the experiences of exiles. Many of these are pilgrimages; others are harrowing memoirs. What unites even the most devastating of these accounts are intellectual curiosity and a spirit of adventure.Places Lost and Found is a treasury of distinc...

The Hudson Review has always had an international focus. Travel and reports from abroad have figured prominently in the journal, including essays on exotic and picturesque locales, as well as accounts from war-torn areas and the experiences of exiles. Many of these are pilgrimages; others are harrowing memoirs. What unites even the most devastating of these accounts are intellectual curiosity and a spirit of adventure.Places Lost and Found is a treasury of distinc...

On the assumption that John Updike was correct when he asserted, in a 1978 letter to Joyce Carol Oates, that "Nobody can read like a writer," Why I Like This Story presents brief essays by forty-eight leading American writers on their favorite American short stories, explaining why they like them. The essays, which are personal, not scholarly, not only tell us much about the story selected, they also tell us a good deal about the author of the essay, about what elements of fiction...

Five decades ago, award-winning author Herbert Gold traveled to Haiti on a Caribbean version of the Fulbright Scholarship. The journey proved to be a turning point in his life. Fifty years later, his attachment to the tiny Caribbean nation-his second home-remains as passionate and powerful as ever. Now, in Best Nightmare on Earth, he explores the secret life of this vibrant, volatile, violent land. -Beautiful...bizarre...dangerous...exotic, a Garden of Eden fallen into despair, a tiny nati...

"In the course of an impressive career as a writer, Herbert Gold has demonstrated many gifts, among them his talent for mak-ing high drama of ordinary events, ordinary people." -Chicago Tribune Book World"Gold...has a sharp eye for detail."-The Washington Times Magazine"Not just a good book, but a great one."-Daily Mail (London)"Herbert Gold... gives his stories a wry, bright air of wonder...he is a born storyteller."-New York Times

As a priest and a physician, Richard Frechette has known the body, heart, and soul of people in the most anguishing of circumstances. He has carried out his double ministry over the past twenty-five years in settings of extreme poverty, violence, social upheaval, and natural disasters. This personal experience of tough realities has been at once a descent into chaos and an ascent into compassion, never more so than in his work in Haiti.The reflections in this volume are less about Haiti th...

The Man Who Was Not With It is the story of young Bud Williams and his safari southward to Florida. On the way, he is abruptly confronted with the con men, addicts, and freaks, and the bruised innocence, of carnival and nightclub life.

In his first book of non-fiction, originally published in 1962, Herbert Gold explores some not-so-happy problems confronting people in an age of "mass destruction, mass inertia, mass everything." While acknowledging that we live in a time of utmost global significance-war on an enormous scale was a reality of the twentieth century and continues to threaten, unadulterated evil has exhibited itself in grandiose proportions-Gold tackles issues and problems which are very much of significance ...

Internationally bestselling novelist and American icon Tom Robbins' legendary memoir—wild tales of his life and times, both at home and around the globe.Tom Robbins' warm, wise, and wonderfully weird novels—including Still Life with Woodpecker, Jitterbug Perfume, and Fierce Invalids Home from Hot Climates—provide an entryway into the frontier of his singular imagination. Madcap but sincere, pulsating with strong social and philosophical undercurrents, his irreverent...

The New Yorker is, of course, a bastion of superb essays, influential investigative journalism, and insightful arts criticism. But for eighty years, it’s also been a hoot. In fact, when Harold Ross founded the legendary magazine in 1925, he called it “a comic weekly,” and while it has grown into much more**,** it has also remained true to its original mission. Now an uproarious sampling of its funny writings can be found in a hilarious new collection, one as satirical and witty, m...

When Harold Ross founded The New Yorker in 1925, he described it as a “comic weekly.” And although it has become much more than that, it has remained true in its irreverent heart to the founder’s description, publishing the most illustrious literary humorists of the modern era—among them Robert Benchley, Dorothy Parker, Groucho Marx, George S. Kaufman, James Thurber, S. J. Perelman, Peter De Vries, Mike Nichols, Marshall Brickman, Woody Allen, Donald Barthelme, Calvin Trillin, Geo...

A New York Times Notable Book: A memoir of the writing life of Jim Harrison, from hardscrabble years to high-profile Hollywood friendships, " as engaging as it is eccentric" ( The Washington Post Book World).In this "sprawling, impressionistic memoir", which was selected as a New York Times Notable Book of the Year, Jim Harrison chronicles his coming-of-age, from a boy drunk with books to a young man making his way among ...