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  • Childhood and Cinema

    by Vicky Lebeau ...
    Series series Locations
    Since its inception the world of cinema has embraced the image of the child and both extended and challenged its representations. Vicky Lebeau explores the complex and ongoing adventure of childhood on screen and examines how the child in film has been used to embody the aspirations and anxieties of modern life. Moving from early to contemporary cinema – a process that includes discussions of ... Read more

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    An illuminating study of Vladimir Nabokov's controversial novel with special attention to its film versions. From its first publication in 1955 Nabokov's Lolita has been denounced as immoral filth, hailed as a moral masterpiece, and both praised and damned for stylistic excess. In this fresh appraisal John Lennard provides convenient overviews of Nabokov's life and of the novel (including both ... Read more

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  • Speaking Volumes

    conversations with remarkable writers

    by Ramona Koval ...
    Ramona Koval has been praised as a master of the interview genre, renowned for engaging writers in conversations that are incisive, provocative, and often funny.In this new collection, Speaking Volumes: conversations with remarkable writers, she shares the most fascinating interviews from her 2005 book Tasting Life Twice, along with brand-new ones with some of the most important writers of our ... Read more

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  • Between the Sheets

    Nine 20th Century Women Writers and Their Famous Literary Partnerships

    The literary critic examines the love lives and career ambitions of some of the twentieth century's greatest female authors—from Sylvia Plath to Anaïs Nin.Why did a gifted writer like Sylvia Plath stumble into a marriage that drove her to suicide? Why did Hilda Doolittle (H.D.) want to marry Ezra Pound when she was far more attracted to women? Why did Simone de Beauvoir pimp for Jean-Paul Sartre ... Read more

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  • Literature into Film

    Theory and Practical Approaches

    For most people, film adaptation of literature can be summed up in one sentence: "The movie wasn't as good as the book." This volume undertakes to show the reader that not only is this evaluation not always true but sometimes it is intrinsically unfair. Movies based on literary works, while often billed as adaptations, are more correctly termed translations. A director and his actors translate the ... Read more

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  • The Cinema of Michael Haneke

    Europe Utopia

    Edited by Ben McCann, David Sorfa ...
    Series series Directors' Cuts
    Michael Haneke is one of the most important directors working in Europe today, with films such as Funny Games (1997), Code Unknown (2000), and Hidden (2005) interrogating modern ethical dilemmas with forensic clarity and merciless insight. Haneke's films frequently implicate both the protagonists and the audience in the making of their misfortunes, yet even in the barren nihilism of The Seventh ... Read more

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  • David Cronenberg

    Author or Filmmaker?

    by Mark Browning ...
    For more than thirty years, David Cronenberg has made independent films such as Scanners and A History of Violence which aim to disturb, surprise, and challenge audiences. He has also repeatedly drawn on literary fiction for inspiration, adapting themes from authors like William Burroughs, J. G. Ballard, and Patrick McGrath for the big screen; David Cronenberg: Author or Filmmaker? is the first ... Read more

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  • Film Noir

    From Berlin to Sin City

    by Mark Bould ...
    Series series Short Cuts
    Film Noir explores the murky world of a genre responsible for many of film's most enduring images. Mark Bould discusses problems of definition and the often ambiguous nature of film noir and looks at modern films that could be called neo-noir. Iconic and enduring, film noir attracted great stars (Bogart, Bacall, Mitchum, Lancaster), many of the best directors of the era (Wilder, Lang, Preminger, ... Read more

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  • Film

    A Very Short Introduction

    by Michael Wood ...
    Series series Very Short Introductions
    Film is considered by some to be the most dominant art form of the twentieth century. It is many things, but it has become above all a means of telling stories through images and sounds. The stories are often offered to us as quite false, frankly and beautifully fantastic, and they are sometimes insistently said to be true. But they are stories in both cases, and there are very few films, even in ... Read more

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  • The Cambridge Companion to Literature on Screen

    Series series Cambridge Companions to Literature
    This Companion offers a multi-disciplinary approach to literature on film and television. Writers are drawn from different backgrounds to consider broad topics, such as the issue of adaptation from novels and plays to the screen, canonical and popular literature, fantasy, genre and adaptations for children. There are also case studies, such as Shakespeare, Jane Austen, the nineteenth-century novel ... Read more

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  • Death 24x a Second

    by Laura Mulvey ...
    In Death 24x a Second, Laura Mulvey addresses some of the key questions of film theory, spectatorship and narrative. New media technologies, such as video and DVD, have transformed the way we experience film, and the viewers’ relationship to film image and cinema’s narrative structure has also been fundamentally altered. These technologies give viewers the means to control both image and story, so ... Read more

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  • Melodrama

    Genre, Style and Sensibility

    Series series Short Cuts
    Melodrama: Genre, Style and Sensibility is designed as an accessible overview of one of the most popular genres at undergraduate Film Studies. The book identifies three distinct but connected concepts through which it is possible to make sense of melodrama; either as a genre, originating in European theatre of the 18th and 19th century, as a specific cinematic style, epitomised by the work of ... Read more

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