Showing results for "thomas pankhurst"
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SchenkerGUIDE
A Brief Handbook and Website for Schenkerian Analysis
2008
EN
SchenkerGUIDE is an accessible overview of Heinrich Schenker's complex but fascinating approach to the analysis of tonal music. The book has emerged out of the widely used website, www.SchenkerGUIDE.com, which has been offering straightforward explanations of Schenkerian analysis to undergraduate students since 2001.Divided into four parts, SchenkerGUIDE offers a step-by-step method to tackling this often difficult system of analysis.
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2011
EN
Accessible
Now in trade paperback: “The definitive guide to musical enjoyment” (Forum).In this fascinating analysis of how to listen to both contemporary and classical music analytically, eminent American composer Aaron Copland offers provocative suggestions that will bring readers a deeper appreciation of the most viscerally rewarding of all art forms.
2012
EN
Counterpoint is an approach to musical composition based on the union of independent and interdependent melodies. Counterpoint and How to Use It in Your Music is a step-by-step course in counterpoint, and shows you how to apply it in your own music, whether you write contemporary pop songs or pieces for orchestral or traditional instruments. "I love to learn from it. A mavelous master piece. I learned a lot from each lesson. I had to tran...
Melody in Songwriting
Tools and Techniques for Writing Hit Songs
2000
EN
(Berklee Guide). Melody is a subject too often neglected in the teaching of music. This unique resource gives melody that attention it deserves, and proves that melody writing is a skill that can be learned. Through proven tool and techniques, you will learn to write interesting melodies, how melodic rhythm influences rhyme, what makes harmony progress, and the many dynamic relationships between melody and harmony. This clear and comprehensive approach to songwriting unlocks the secrets of...
A Geometry of Music
Harmony and Counterpoint in the Extended Common Practice
2011
EN
How is the Beatles' "Help!" similar to Stravinsky's "Dance of the Adolescents?" How does Radiohead's "Just" relate to the improvisations of Bill Evans? And how do Chopin's works exploit the non-Euclidean geometry of musical chords? In this groundbreaking work, author Dmitri Tymoczko describes a new framework for thinking about music that emphasizes the commonalities among styles from medieval polyphony to contemporary rock. Tymoczko identifies five basic musical features that jointly contr...
The Dr. Williams' Chord Chemistry
Volume Ii
2012
EN
Imagine a book that teaches you in a few pages and the simplest way how to construct, memorize and play correctly, all sorts of guitar chords. To make that dream come true, we have reinvented chord teaching methods to bring forth this revolutionary book in 2 volumes. For the first time, a new jargon and memory techniques have been set up, making this book a for the beginner as well as the virtuoso (master). YOU CAN, AT LAST, KNOW EVERYTHING ABOUT GUITAR CHORDS. THEIR CONSTRUCTION AND US...
Hal Leonard Pocket Music Theory (Music Instruction)
A Comprehensive and Convenient Source for All Musicians
2002
EN
(Book). Following in the footsteps of the popular Hal Leonard Pocket Music Dictionary , this handy pocket-sized book is the most contemporary music theory book on the market! A step-by-step guide to harmony and theory for every musician, it includes thorough, yet to easy-to-understand analysis of: intervals, rhythms, scales, chords, key signatures, transposition, chord inversion, key centers, harmonizing the major and minor scales, extended chords, modulation and much more. Packed with inf...
Modern Jazz Voicings
Arranging for Small and Medium Ensembles
2001
EN
(Berklee Guide). The definitive text used for the time-honored Chord Scales course at Berklee College of Music, this book concentrates on scoring for every possible ensemble combination and teaches performers and arrangers how to add color, character and sophistication to chord voicings. Topics covered include: selecting appropriate harmonic tensions, understanding jazz harmony, overcoming harmonic ambiguity, experimenting with unusual combinations and non-traditional alignments, and many ...
2011
EN
(Music Instruction). George Heussenstamm, composer of more than 85 published works and author of The Norton Manual of Music Notation , taught college-level theory for several decades. Unable to find what he considered a suitable text, he wrote his own, honing it through practical classroom experience. It is now published for the first time as Hal Leonard Harmony & Theory . This book is designed for anyone wishing to expand their knowledge of music theory, whether beginner or more advanced....
All You Have to Do is Listen
Music from the Inside Out
2008
EN
Rob Kapilow has been helping audiences hear more in great music for almost twenty years with his What Makes It Great? series on NPR, at Lincoln Center, and in concert halls throughout the US and Canada. In this book, he gives you a set of tools you can use when listening to any piece of music in order to hear its “plot”—its story told in notes. The musical examples are available free for download to help you hear the ideas presented. Whether you are an experienced concertgoer or a...
2013
EN
Demonstrating not only how to write for orchestra but also how to understand and enjoy a score, The Cambridge Guide to Orchestration is a theoretical and practical guide to instrumentation and orchestration for scholars, professionals and enthusiasts. With detailed information on all the instruments of the orchestra, both past and present, it combines discussion of both traditional and modern playing techniques to give the most complete overview of the subject. It contains fifty reduced sc...
2016
EN
This book represents a way of thinking about jazz harmony. It explains how chords are built, named and used. It presents examples in the form of conventional notation and images of the piano keyboard. A glossary of terms is included. If you need some kind of structure or framework of understanding to be able to do music at all, you may find it here. At the very least, by Step 20 you should be able to look at a chord chart and recognise (and even play) the symbols and patterns that form the...











