Showing results for "ted dalbotten"
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The Conservatory:
Novella in Form of Screenplay
2006
EN
Like Ted Dalbottens previous books, Winterreise and Triptych a Mystery (Part I, The Painting) which among other material dealt with various aspects of both the performing and non performing arts, the present volume aside from its examination of the human condition concerns itself particularly with musical matters, though not only performing issues. Since music has been the predominant activity of the author now in his eighty fourth year it was almost inevitable he would eventually seek to ...
Winterreise
Plus Other Fiction, Some Theatre Pieces, and a Smattering of Poetry
2006
EN
Winterreise is a collection of stories, theatre pieces and poems most of them reflecting the authors background, experience, and gay sensibilityand ranging all the way from serious narratives to off the wall humor. However with but a few exceptions they are not autobiographical. Included among them are a few excerpts from larger works.
Triptych-A Mystery
Part 1-The Painting
2006
EN
TRIPTYCHa Mystery (Part 1The Painting) deals with a well known biblical figure during several incarnations through which he finally achieves complete self awareness and self-acceptance. It is a self contained novel within a larger three part structure including Part 2 (Preliminary Studies) and Part 3 (Afterimages), which though formally related to Part and dealing with the creative process, but telling their own storiesare not printed here. Part 1The Painting is written in its own three pa...
2007
EN
To Bear Witness is a series of essays plus other material having to do mainly with persons no longer living who have left an indelible imprint on the life of the writer, though he has known most of themonly through their work. They include among others Martha Graham, Ruth Draper, Isadora Duncan, Louis Horst, Shakespeare, Sergei Rachmaninoff, Maurice Ravel. Margaret Beals, Meredith Monk and John Devers,In all of the selections aspects of their life and output are describedd...



