Showing results for "rj wheaton"
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- Series -
- Genre: A 33 1/3 Series
2022
EN
Trip-hop described some of the 1990s' best music, and it was one of the decade's most revealing bad ideas. This book chronicles the music and its leading artists, packed with recommended listening, essential tracks, great remixes, and under-recognized albums.“Your playlists will soon be overflowing.” - Spectrum CultureThe music itself was an intoxication of beats, bass, and voice. It emerged amid the social tensions of the late 1980s, and as part o...
- Series -
- 33 1/3
2011
EN
An album which distilled a genre from the musical, cultural, and social ether, Portishead's Dummy was such a complete artistic achievement that its ubiquitous successes threatened to exhaust its own potential. RJ Wheaton offers an impressionistic investigation of Dummy that imitates the cumulative structure of the album itself, piecing together interviews, impressions of time and place, cultural criticism, and a thorough exploration of the music itself.The approac...
Trip-Hop
Genre: A 33 1/3 Series
- Narrated by
- Adam Sims
- Series -
- Genre: A 33 1/3 Series
Unabridged
5 hours
2025
EN
Bloomsbury presents Trip-Hop by RJ Wheaton, read by Adam Sims.Trip-hop described some of the 1990s’ best music, and it was one of the decade’s most revealing bad ideas. This book chronicles the music and its leading artists, packed with recommended listening, essential tracks, great remixes, and under-recognized albums.“Your playlists will soon be overflowing.” - Spectrum CultureThe music itself was an intoxication of beats, bass, ...
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Celine Dion's Let's Talk About Love
A Journey to the End of Taste
- Series -
- 33 1/3
2007
EN
Non-fans regard Céline Dion as ersatz and plastic, yet to those who love her, no one could be more real, with her impoverished childhood, her (creepy) manager-husband's struggle with cancer, her knack for howling out raw emotion. There's nothing cool about Céline Dion, and nothing clever. That's part of her appeal as an object of love or hatred - with most critics and committed music fans taking pleasure (or at least geeky solace) in their lofty contempt. This book documents Carl Wilson's ...
- Series -
- 33 1/3
2008
EN
Black Sabbath's Master of Reality has maintained remarkable historical status over several generations; it's a touchstone for the directionless, and common coin for young men and women who've felt excluded from the broader cultural economy. John Darnielle hears it through the ears of Roger Painter, a young adult locked in a southern California adolescent psychiatric center in 1985; deprived of his Walkman and hungry for comfort, he explains Black Sabbath as one might describe air to a fish...
- Series -
- 33 1/3
2006
EN
The writings in this book are extracted from volumes 1 through 20 of our 33 1/3 series - short books about individual albums. In here you'll find a wide variety of authors, albums, and approaches to writing about those albums. So sit back, put on your headphones, cue up your favourite songs, and let our writers transport you to a time when:Dusty Springfield headed south to Memphis to record a pop/soul classic;The Kinks almost fell to pieces, and managed to make their best alb...
- Series -
- 33 1/3
2009
EN
The serene, delicate songs on Another Green World sound practically meditative, but the album itself was an experiment fueled by adrenaline, panic, and pure faith. It was the first Brian Eno album to be composed almost completely in the confines of a recording studio, over a scant few months in the summer of 1975. The album was a proof of concept for Eno's budding ideas of "the studio as musical instrument," and a signpost for a bold new way of thinking about music.In this...
2009
EN
Even at four in the morning, the strip clubs and watering holes surrounding the Honolulu studio were still hopping. The recording engineer heard a car pull into the lot, and soon the biggest man he had ever seen walked in. When he stepped into the studio, the floated floor shifted beneath the engineer's feet. Israel Kamakawiwo'ole engulfed the engineer's hand in his and said, "Hi, bruddah."The product of that impromptu recording session, a delicate medley of "Somewhere Over the Rain...
- Series -
- 33 1/3
2010
EN
After Rumours became the best-selling single album of all-time, Fleetwood Mac asked Warner Brothers Records to buy them a studio (the label refused, costing both Warner Brothers and the band significant cash in the long run) and then handed the reins to their guitarist and resident perfectionist Lindsey Buckingham. “You know,” Buckingham said, “we had this ridiculous success with Rumours. We were poised to do another album, and I guess because the axiom 'If it works, run ...
- Series -
- 33 1/3
2007
EN
Aja was the album that made Steely Dan a commercial force on the order of contemporaries like Fleetwood Mac, the Eagles and Chicago. A double-platinum, Grammy-winning bestseller, it lingered on the Billboard charts for more than a year and spawned three hit singles. Odd, then, that its creators saw it as an "ambitious, extended" work, the apotheosis of their anti-rock, anti-band, anti-glamour aesthetic. Populated by thirty-fi ve mostly jazz session players, Aja served up prewar song forms,...
- Series -
- 33 1/3
2008
EN
Issued on America's premier rap label at the peak of the thrash metal movement, Slayer's controversial Reign in Blood remains the gold standard for extreme heavy metal, a seamless 29-minute procession of ten blindingly fast, apocalyptic songs. The first English book about Slayer explores the creation of the most universally respected metal album and its long road to the stores, through original interviews with the entire band, producer Rick Rubin, engineer Andy Wallace, cover artist Larry ...
Let's Talk About Love
Why Other People Have Such Bad Taste
2014
EN
For his 2007 critically acclaimed 33 1/3 series title, Let's Talk About Love, Carl Wilson went on a quest to find his inner Céline Dion fan and explore how we define ourselves by what we call good and bad, what we love and what we hate.At once among the most widely beloved and most reviled and lampooned pop stars of the past few decades, Céline Dion's critics call her mawkish and overblown while millions of fans around the world adore her “huge pipes” and even bigger feeli...











