Taming the Oriental Bazaar examines the public market-hall as a key architectural feature of colonial South Asia. Representing a transition in the architectural programme, these buildings were meant to be monuments and markers of modernity in South Asia.The book:Explores how market-halls became an essential feature of colonial settlements from the mid-nineteenth through the mid-twentieth centuriesDiscusses public health policies and legislations cen...

Chakshudana or rituals of opening the eyes are practiced across multiple South Asian communities by artists, sculptors, and priests. The ritual offers gods access to the mortal world. This practice, applied to the study of material and visual culture, offers a distinctive perspective to interrogate the complex engagements with paintings, sculptures, found objects, fragments, built environments, and ecologies.This volume takes the process of seeing as its focus—to look clos...

This book analyses engagements with non-Shia practices of Muḥarram celebrations in the past and present, in South Asia and within a larger diaspora. Breaking new ground by bringing together a variety of regional perspectives (the Deccan, the Punjab, Singapore, South Africa, and Trinidad and Tobago) and linguistic backgrounds (Bhojpuri, Gujarati, Marathi, Punjabi, Tamil, Urdu), the chapters discuss the importance of Muḥarram celebrations in terms of their respective actors.While in s...

The Deccan sultans left a grand architectural and artistic legacy. They commissioned palaces, mosques, gardens and tombs as well as decorative paintings and coins. Of these sultanates, the Nizam Shahs (r. 1490-1636) were particularly significant, being one of the first to emerge from the crumbling edifice of the Bahmani Empire (c. 1347-1527). Yet their rich material record remains largely unstudied in the scholarly literature, obscuring their cultural and historical importance. This book p...