For the first time, Faber publish a selection from the poetry of Philip Larkin. Drawing on Larkin's four collections and on his uncollected poems. Chosen by Martin Amis.'Many poets make us smile; how many poets make us laugh - or, in that curious phrase, "laugh out loud" (as if there's another way of doing it)? Who else uses an essentially conversational idiom to achieve such a variety of emotional effects? Who else takes us, and takes us so often, from sunlit levity to mellifluous...

The essential pocket edition of this most beloved and quoted of poets.Our almost-instinct almost true:What will survive of us is love.In lines perfectly constructed and as beautiful as they are plain-spoken, Philip Larkin found a way of delineating our most difficult emotions - giving them back to us in images and formulations that help us both comprehend and contain ourselves. His is a fine-tuning that turns 'true and kind' more tr...

Letters Home gives access to the last major archive of Larkin's writing to remain unpublished: the letters to members of his family. These correspondences help tell the story of how Larkin came to be the writer and the man he was: to his father Sydney, a 'conservative anarchist' and admirer of Hitler, who died relatively early in Larkin's life; to his timid depressive mother Eva, who by contrast, lived long, and whose final years were shadowed by dementia; and to his sister Kitty,...

Philip Larkin met Monica Jones at University College Leicester in autumn 1946, when they were both twenty-four; he was the newly-appointed assistant librarian and she was an English lecturer. In 1950 Larkin moved to Belfast, and thence to Hull, while Monica remained in Leicester, becoming by turns his correspondent, lover and closest confidante, in a relationship which lasted over forty years until the poet's death in 1985.This remarkable unpublished correspondence only came to lig...

The North Ship, Philip Larkin's earliest volume of verse, was first published in August 1945. The introduction, by Larkin himself, explains the circumstances of its publication and the influences which shaped its contents.

Philip Larkin's second collection, The Less Deceived was published by The Marvell Press in 1955, and now appears for the first time in Faber covers.The eye can hardly pick them outFrom the cold shade they shelter in,Till wind distresses tail and mane;Then one crops grass, and moves about- The other seeming to look on -And stands anonymous again.from 'At Grass'

The Sunday Sessions consists of twenty-six poems, the contents of two tapes recorded by Philip Larkin in Hull in February 1980 - reportedly, each on a Sunday, after lunch with John Weeks, a sound engineer and colleague of the poet. The tapes, which contain work from Larkin's first major collection, The North Ship, as well as poems from his best-known collections, The Whitsun Weddings and High Windows, remained 'lost' for over two decades, lying on a shel...

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The book offers a detailed commentary on the poetry of Philip Larkin, exploring the political and cultural contexts which have shaped his contemporary reputation. Part 1, Life and Times, traces Larkin's early years and follows his development, within his career as a university librarian, into one of the most important and popular voices in twentieth-century poetry. Part 2, Artistic Strategies, explores a range of methodologies and aesthetic influences by which Larkin was able to create poe...