Showing results for "nadia lie"
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2017
EN
This book offers a comprehensive and systematic overview of the flourishing genre of the contemporary Latin American road movie, of which Diarios de motocicleta and Y tu mamá también are only the best-known examples. It offers the first systematic survey of the genre and explains why the road movie is key to contemporary Latin American cinema and society. Proposing the new category of “counter-road movie,” and paying special attention to the genre’s intricate relationship...
The Motorcycle Diaries
Youth, Travel and Politics in Latin America
- Series -
- Cinema and Youth Cultures
2022
EN
The first monograph to examine Walter Salles’ The Motorcycle Diaries, this book explains the significance of Salles’ film with respect to the specific category of ‘youth culture’ as a historically and culturally situated concept.The Motorcycle Diaries looks at the film’s engagement with ‘emerging adulthood’, the importance of travel as a source of self-discovery, and the film’s impact on the iconicity of Che Guevara, the international emblem of a restless, rebellious youth...
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2009
EN
There has been a significant surge in recent Argentine cinema, with an explosion in the number of films made in the country since the mid-1990s. Many of these productions have been highly acclaimed by critics in Argentina and elsewhere. What makes this boom all the more extraordinary is its coinciding with a period of severe economic crisis and civil unrest in the nation. Offering the first in-depth English-language study of Argentine fiction films of the late twentieth century and early t...
Mexican Melodrama
Film and Nation from the Golden Age to the New Wave
2016
EN
In Mexican Melodrama, Elena Lahr-Vivaz explores the compelling ways that new-wave Mexican directors use the tropes and themes of Golden Age films to denounce the excesses of a nation characterized as a fragmented and fictitious construct. Analyzing big hits and quiet successes of both Golden Age and new-wave cinema, the author offers in each chapter a comparative reading of films from the two eras, considering, for instance, Amores perros (Love’s a Bitch, Alejand...
- Series -
- National Cinemas
2012
EN
Accessible
This study examines the discourses of nationalism as they intersected or clashed with Spanish film production from its inception to the present. While the book addresses the discourses around filmmakers such as Almodóvar and Medem, whose work has achieved international recognition, Spanish National Cinema is particularly novel in its treatment of a whole range of popular cinema rarely touched on in studies of Spanish cinema. Using accounts of films, popular film magazines and documents not...
Cinema and Inter-American Relations
Tracking Transnational Affect
2012
EN
Accessible
Cinema and Inter-American Relations studies the key role that commercial narrative films have played in the articulation of the political and cultural relationship between the United States and Latin America since the onset of the Good Neighbor policy (1933). Pérez Melgosa analyzes the evolution of inter-American narratives in films from across the continent, highlights the social effects of the technologies used to produce these works, and explores the connections of cinema to su...
- Series -
- 24 Frames
2004
EN
The Cinema of Latin America is the first volume in the new 24 Frames series of studies of national and regional cinema. In taking an explicitly text-centered approach, the books in this series offer a unique way of considering the particular concerns, styles and modes of representation of numerous national cinemas around the world. This volume focuses on the vibrant practices that make up Latin American cinema, a historically important regional cinema and one that is incr...
Contemporary Latin American Cinema
Breaking into the Global Market
2007
EN
This engaging book explores some of the most significant films to emerge from Latin America since 2000, an extraordinary period of international recognition for the region's cinema. Each chapter assesses an individual film, with some contributors considering the reasons for the unprecedented commercial and critical successes of movies such as City of God, The Motorcycle Diaries, Y tu mamá también, and Nine Queens, while others examine why equally important films failed to break out on the ...
Everynight Life
Culture and Dance in Latin/o America
- Series -
- Latin America otherwise
1997
EN
The function of dance in Latin/o American culture is the focus of the essays collected in Everynight Life. The contributors interpret how Latin/o culture expresses itself through dance, approaching the material from the varying perspectives of literary, cultural, dance, performance, queer, and feminist studies. Viewing dance as privileged sites of identity formation and cultural resistance in Latin/o America, Everynight Life translates the motion of bodies into speech, an...
The Politics of Affect and Emotion in Contemporary Latin American Cinema
Argentina, Brazil, Cuba, and Mexico
2015
EN
This book explores the role of emotion and affect in recent Latin American cinema (1990s-2000s) in the context of larger public debates about past traumas and current anxieties. To address this topic, it examines some of the most significant trends in contemporary Latin American filmmaking.
New Argentine Film
Other Worlds
- Series -
- Social Sciences (R0)
2011
EN
Respected film critic Gonzalo Aguilar offers a lucid and sophisticated analysis of Argentine films of the last decade. This is the most complete and up-to-date work in English to examine the "new Argentine cinema" phenomenon. Aguilar looks at highly relevant films, including recent award-winners at all of the major festivals.
Spanish Cinema in the Global Context
Film on Film
2013
EN
Across a broad spectrum of media, markets, and national contexts, self-reflexivity continues to be a favored narrative mode with wide ranging functions. In this book Amago argues that, in addition to making visible industry and production concerns within the film text, reflexive aesthetics have a cartographic function that serves to map the place of a film (geographic and cultural) within the global cinemascape, and thus to bring into sharper relief images of the national. Focusing on film...











