"I take...an outward route, arguing that the Agrarian project was and must be seen as a willed campaign on the part of one elite to establish and control 'the South' in a period of intense cultural maneuvering. The principal organizers of I'll Take My Stand knew full well there were other 'Souths' than the one they touted; they deliberately presented a fabricated South as the one and only real thing."In Inventing Southern Literature Michael Kreyling casts a penetrating ray upon the...

Winner of the 1997 Eudora Welty Prize“I take. . .an outward route, arguing that the Agrarian project was and must be seen as a willed campaign on the part of one elite to establish and control ‘the South’ in a period of intense cultural maneuvering. The principal organizers of I’ll Take My Stand knew full well there were other ‘Souths’ than the one they touted; they deliberately presented a fabricated South as the one and only real thing.”In Inventing S...

In A Late Encounter with the Civil War, Michael Kreyling confronts the changing nature of our relationship to the anniversary of the war that nearly split the United States. When significant anniversaries arrive in the histories of groups such as families, businesses, or nations, their members set aside time to formally remember their shared past. This phenomenon—this social or collective memory—reveals as much about a group’s sense of place in the present as it does about the eve...

Once, history and "the South" dwelt in close proximity. Representations of the South in writing and on film assumed everybody knew what had happened in place and time to create the South. Today, our vision of the South varies, and there is less "there there" than ever before.In The South That Wasn't There, Michael Kreyling explores a series of literary situations in which memory and history seem to work in odd and problematic ways. Looking at Toni Morrison's masterpiece Beloved, he ...

Setting forth formidable arguments for racial equality, Cable’s novel of feuding Creole families in early nineteenth-century New Orleans blends post–Civil War social dissent and Romanticism.

With contributions by Ted Atkinson, Robert Bray, Patsy J. Daniels, David A. Davis, Taylor Hagood, Lisa Hinrichsen, Suzanne Marrs, Greg O'Brien, Ted Ownby, Ed Piacentino, Claude Pruitt, Thomas J. Richardson, Donald M. Shaffer, Theresa M. Towner, Terrence T. Tucker, Daniel Cross Turner, Lorie Watkins, and Ellen WeinauerMississippi is a study in contradictions. One of the richest states when the Civil War began, it emerged as possibly the poorest and remains so today. Geographically d...

In this innovative collection, Jason Phillips and ten other historians and literary scholars explore the enduring dynamic between history, literature, and power in the American South. Blending analysis with storytelling, and professional insights with personal experiences, they "deconstruct Dixie," insisting that writing the South's history means harnessing, not criticizing, the inherent power of narrative.Contributors examine white southern texts from multiple, fresh perspectives a...

Typecasting chronicles the emergence of the "science of first impression" and reveals how the work of its creators—early social scientists—continues to shape how we see the world and to inform our most fundamental and unconscious judgments of beauty, humanity, and degeneracy. In this groundbreaking exploration of the growth of stereotyping amidst the rise of modern society, authors Ewen & Ewen demonstrate "typecasting" as a persistent cultural practice. Drawing on fields as diverse as hist...

In this thought-provoking volume, David R. Roediger has brought together some of the most important black writers throughout history to explore the question: What does it really mean to be white in America?From folktales and slave narratives to contemporary essays, poetry, and fiction, black writers have long been among America's keenest students of white consciousness and white behavior, but until now much of this writing has been ignored. Black on White reverses ...

Ethics, Literature, and Theory: An Introductory Reader brings together the work of contemporary scholars, teachers, and writers into lively discussion on the moral role of literature and the relationship between aesthetics, art, and ethics. Do the rich descriptions and narrative shapings of literature provide a valuable resource for readers, writers, philosophers, and everyday people to imagine and confront the ultimate questions of life? Do the human activities of storytelling and complex...

In this lively exploration of America’s intellectual heritage, acclaimed poet, novelist, and critic Jay Parini celebrates the life and times of thirteen books that helped shape the American psyche.Moving nimbly between the great watersheds in American letters—including Walden, Huckleberry Finn, The Souls of Black Folk, and On the Road—Parini demonstrates how these books entered American life and altered how we think and act in the world. An immen...

The Cambridge Companion to American Poets brings together thirty-one essays on some fifty-four American poets, spanning nearly 400 years, from Anne Bradstreet to contemporary performance poetry. This book also examines such movements in American poetry as modernism, the Harlem (or New Negro) Renaissance, 'confessional' poetry, the Black Mountain School, the New York School, the Beats, and L=A=N=G=U=A=G=E poetry. Its reputable host of contributors approach American poetry from perspectives ...