An essay by film historian John DiLeo about the film The Student Prince in Old Heidelberg (1927). Excerpted from DiLeo's book, SCREEN SAVERS: 40 Remarkable Movies Awaiting Rediscovery (2008) from Hansen Publishing Group.

An essay by film historian John DiLeo about the film The Big Country (1958). Excerpted from DiLeo's book, SCREEN SAVERS: 40 Remarkable Movies Awaiting Rediscovery (2008) from Hansen Publishing Group.

An essay by film historian John DiLeo about the film Rachel and the Stranger (1948). Excerpted from DiLeo's book, SCREEN SAVERS: 40 Remarkable Movies Awaiting Rediscovery (2008) from Hansen Publishing Group.

An essay by film historian John DiLeo about the film Tucker: The Man and His Dream (1988). Excerpted from DiLeo's book, SCREEN SAVERS: 40 Remarkable Movies Awaiting Rediscovery (2008) from Hansen Publishing Group.

An essay by film historian John DiLeo about the film The Iron Giant (1999). Excerpted from DiLeo's book, SCREEN SAVERS: 40 Remarkable Movies Awaiting Rediscovery (2008) from Hansen Publishing Group.

Joanne Woodward is excerpted from Tennessee Williams and Company: His Essential Screen Actors by John DiLeo. The essay focuses on Joanne Woodwards roles in the films The Fugitive Kind (1960) and The Glass Menagerie (1987), which are based on plays by Tennessee Williams. The author John DiLeo provides additional information about Joanne Woodwards film career as it relates to the making of these films. John DiLeo also provides sidebars filled with tidbits related to these films and their times ...

An essay by film historian John DiLeo about the film Two Family House (2000) directed by Raymond De Felitta and starring Michael Rispoli and Katherine Narducci, Kevin Conway and Kelly Macdonald. Excerpted from John DiLeos Screen Savers II: My Grab Bag of Classic Movies, Ivy (1947): Casting Against Type. Two Family House is about the ways in which the insular, protective nature of single-ethnicity neighborhoods can be a severe detriment to those who want to venture beyond the imposed boundarie...

An essay by film historian John DiLeo about the film The Umbrellas of Cherbourg (1964). Excerpted from DiLeo's book, SCREEN SAVERS: 40 Remarkable Movies Awaiting Rediscovery (2008) from Hansen Publishing Group.

Mildred Dunnock is excerpted from Tennessee Williams and Company: His Essential Screen Actors by John DiLeo. The essay focuses on Mildred Dunnocks roles in the films Baby Doll (1956) and Sweet Bird of Youth (1962), which are based on plays by Tennessee Williams. The author John DiLeo provides additional information about Mildred Dunnocks film career as it relates to the making of these films. John DiLeo also provides sidebars filled with tidbits related to these films and their times that mov...

Katharine Hepburn stars in what play at the climax of Stage Door? Can you name the classic in which a cigarette is put out in a jar of cold cream? What star (not Alan Ladd) is the top-billed male in This Gun for Hire? If you think you know classic movies, well, prepare to be challenged as never before. Die-hard film buffs wont be able to resist the cleverness, imagination, and pleasure of John DiLeos 200 memory-teasing quizzes on all facets of the Golden Age of Hollywood. Upon the books initi...

An essay by film historian John DiLeo about the film Devil's Doorway (1950). Excerpted from DiLeo's book, SCREEN SAVERS: 40 Remarkable Movies Awaiting Rediscovery (2008) from Hansen Publishing Group.

An essay by film historian John DiLeo about the film The Tall Target (1951). Excerpted from DiLeo's book, SCREEN SAVERS: 40 Remarkable Movies Awaiting Rediscovery (2008) from Hansen Publishing Group.