This is a big bundle of essays and written talks, put down over a long number of years: Kelman hopes some of them make you smile. James Kelman began as a writer of fiction and became a writer of nonfiction in the bargain. He had a short story set for his first ever publication that the printer refused to print on the grounds of 'blasphemy.' He searched the story for this 'blasphemy' but couldn't find any. He solved the problem by submitting a different story. In the years to follow the hos...

This is a big bundle of essays and written talks, put down over a long number of years: Kelman hopes some of them make you smile.James Kelman began as a writer of fiction and became a writer of nonfiction in the bargain. He had a short story set for his first ever publication that the printer refused to print on the grounds of "blasphemy." He searched the story for this "blasphemy" but couldn't find any. He solved the problem by submitting a different story. In the...

“The world is full of information. What do we do when we get the information, when we have digested the information, what do we do then? Is there a point where ye say, yes, stop, now I shall move on.”This exhilarating collection of essays, interviews, and correspondence—spanning the years 1988 through 2018, and reaching back a decade more—is about the simple concept that ideas matter. They mutate, inform, create fuel for thought, and inspire actions.As ...

The nation's favourite annual guide to the short story, now in its seventh year.Best British Short Stories invites you to judge a book by its cover – or more accurately, by its title. This critically acclaimed series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere. The editor's brief is wide ranging, covering anthologies, collections, magazines, newspapers and web sites, looking...

Fifteen specially commissioned essays from distinguished authors explore the place of the writer, past and present, the value of critical thinking, and the power of the written word. Their work articulates 'brave new words' at the heart of battles against limitations on fundamental rights of citizenship, the closure of national borders, fake news, and an increasing reluctance to engage with critical democratic debate. Contributors include Eva Hoffman, Romesh Gunesekera, Githa Hariharan, Ja...

"Thought-provoking" short stories from the Man Booker Prize–winning author of How Late It Was, How Late and Kieron Smith, Boy ( Scotsman).A trucker passes through a town he used to know and a local tries to sell him his sister; a couple put their children to bed and hear a loud scratching at the wall; a Principal and his associate examine the dead body before them; a man looks into a mirror and reflects on becoming more like his father.

Jack Proctor, a celebrated older writer and curmudgeon, goes off to residency where he is to be an honored part of teaching and giving public readings, he soon finds the atmosphere of the literary world has changed since his last foray into the public sphere. Unknown to most, unable to work on his own writing, surrounded by a host of odd characters, would-be writers, antagonists, handlers, and members of the elite House of Art and Aesthetics, Proctor finds himself driven t...

James Kelman has made use of the short form all of his writing life, calling on the different traditions where such stories are central within the culture, beginning and ending in freedom, the freedom to create.This collection of nearly a hundred pieces of very short fiction spans five decades and reveals James Kelman’s mastery of the form. As ever, Kelman insists on his characters telling their stories in their own voices, whether in working-class Glaswegian diale...

An award-winning novel of urban boyhood: "No other . . . comes as close as this to Catcher in the Rye." — The Literary ReviewA Man Booker Prize–winning author brings us inside the head of a young boy in a novel that offers a "splendid evocation of childhood in mid-20th-century Glasgow" ( The Washington Post).Here is the story of a boyhood in a large industrial city during a time of great social change. Kieron grows from age five to...

Novelist, playwright, essayist, and master of the short story. Artist and engaged working-class intellectual; husband, father, and grandfather as well as committed revolutionary activist.From his first publication (a short story collection An Old Pub Near the Angel on a tiny American press) through his latest novel (God's Teeth and other Phenomena) and work with Noam Chomsky (Between Thought and Expression Lies a Lifetime—both published o...

All We Have is the Story collects fifty years of interviews, both published and unpublished, revealing James Kelman's thinking on a breadth of topics from writing and literature to class and race to sports and philosophy.

James Kelman's inimitable voice brings the stories of lost men to light in these twenty one tales of down on their luck antiheroes who wander, drink, hatch plans, ponder existence, and survive in an unwelcoming and often comic world. Keep Moving and No Questions is a collection of the finest examples of Kelman's facility with dialog, stream of conscious narrative, and sharp cultural observation. Class is always central in these brief glimpses of men abiding the hands they've been dealt. An...