This book examines dramatic dialogue in English-language theatre, tracing verbal invention across four centuries from Shakespeare and Restoration comedy right up to contemporary English and American theatre.Published posthumously, this renowned theatre scholar's book considers English dramatic dialogue as exemplified in the verbal invention of particular plays. That invention is traced through puns, repetitions, adroit clichés, occasional neologisms, malapropisms, ...

Beckett’s plays have attracted a striking range of disability performances – that is, performances that cast disabled actors, regardless of whether their roles are explicitly described as ‘disabled’ in the text. Grounded in the history of disability performance of Beckett’s work and a new theorising of Beckett’s treatment of the impaired body, Samuel Beckett and Disability Performance examines four contemporary disability performances of Beckett’s plays, staged in the UK and US, a...

Samuel Beckett and the Theatre of the Witness explores Beckett's representation of physical pain in his theatre plays in the long aftermath of World War II, emphasising how the issues raised by this staging of pain speak directly to matters lying at the heart of his work: the affective power of the human body; the doubtful capacity of language as a means of communication; the aesthetic and ethical functioning of the theatre medium; and the vexed question of intersubjective empathy...