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Affirmative Reaction
New Formations of White Masculinity
2011
EN
Affirmative Reaction explores the cultural politics of heteronormative white masculine privilege in the United States. Through close readings of texts ranging from the popular television drama 24 to the Marvel Comics miniseries The Call of Duty, and from the reality show American Chopper to the movie Million Dollar Baby, Hamilton Carroll argues that the true privilege of white masculinity—and its defining strategy—is not to be unmarked, universa...
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- Series -
- Columbia Themes in Philosophy
2015
EN
The renowned philosopher and political theorist presents a summation of his influential work in this series of Columbia University lectures.A pioneer in the fields of modern linguistics and cognitive science, Noam Chomsky is also one of the most avidly read political theorist of our time. In this series of lectures, Chomsky presents more than half a century of philosophical reflection on all three of these areas.In precise yet accessible language, Chomsky e...
Criminology Goes to the Movies
Crime Theory and Popular Culture
2011
EN
A "deftly written and absorbing" look at how films reflect concepts in criminology and affect our perceptions of criminal behavior (Richard Rosenfeld, coauthor of Crime and the American Dream).From Psycho to Double Indemnity to Thelma & Louise, Nicole Rafter and Michelle Brown show that criminological theory is produced not only in the academy through scholarly research, but also in popular culture through film. Criminology Go...
Ascent of the A-Word
Assholism, the First Sixty Years
2012
EN
It first surfaced in the gripes of GIs during World War II and was captured early on by the typewriter of a young Norman Mailer. Within a generation it had become a basic notion of our everyday moral life, replacing older reproaches like lout and heel with a single inclusive category -- a staple of country outlaw songs, Neil Simon plays, and Woody Allen movies. Feminists made it their stock rebuke for male insensitivity, the est movement used it for those who didn't "get it," and Dirty Har...
Feminism at the Movies
Understanding Gender in Contemporary Popular Cinema
2012
EN
Accessible
Feminism at the Movies: Understanding Gender in Contemporary Popular Cinema examines the way that contemporary film reflects today’s changing gender roles. The book offers a comprehensive overview of the central issues in feminist film criticism with analyses of over twenty popular contemporary films across a range of genres, such as chick flicks, teen pics, hommecoms, horror, action adventure, indie flicks, and women lawyer films. Contributors explore issues of femininity as well...
Men to Boys
The Making of Modern Immaturity
2008
EN
Adam Sandler movies, HBO's Entourage, and such magazines as Maxim and FHM all trade in and appeal to one character-the modern boy-man. Addicted to video games, comic books, extreme sports, and dressing down, the boy-man would rather devote an afternoon to Grand Theft Auto than plan his next career move. He would rather prolong the hedonistic pleasures of youth than embrace the self-sacrificing demands of adulthood.When did maturity become the ultimate tab...
Post-Postmodernism
or, The Cultural Logic of Just-in-Time Capitalism
2012
EN
Post-Postmodernism begins with a simple premise: we no longer live in the world of "postmodernism," famously dubbed "the cultural logic of late capitalism" by Fredric Jameson in 1984. Far from charting any simple move "beyond" postmodernism since the 1980s, though, this book argues that we've experienced an intensification of postmodern capitalism over the past decades, an increasing saturation of the economic sphere into formerly independent segments of everyday cultural...
Nuthin' but a "G" Thang
The Culture and Commerce of Gangsta Rap
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- Popular Cultures, Everyday Lives
2004
EN
In the late 1980s, gangsta rap music emerged in urban America, giving voice to—and making money for—a social group widely considered to be in crisis: young, poor, black men. From its local origins, gangsta rap went on to flood the mainstream, generating enormous popularity and profits. Yet the highly charged lyrics, public battles, and hard, fast lifestyles that characterize the genre have incited the anger of many public figures and proponents of "family values." Constantly engaging quest...
In a Queer Time and Place
Transgender Bodies, Subcultural Lives
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- Sexual Cultures
2005
EN
In her first book since the critically acclaimed Female Masculinity, Judith Halberstam examines the significance of the transgender body in a provocative collection of essays on queer time and space. She presents a series of case studies focused on the meanings of masculinity in its dominant and alternative forms’especially female and trans-masculinities as they exist within subcultures, and are appropriated within mainstream culture.In a Queer Time and Place
Soul Thieves
The Appropriation and Misrepresentation of African American Popular Culture
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- History (R0)
2014
EN
Considers the misappropriation of African American popular culture through various genres, largely Hip Hop, to argue that while such cultural creations have the potential to be healing agents, they are still exploited -often with the complicity of African Americans- for commercial purposes and to maintain white ruling class hegemony.
Action Movies
The Cinema of Striking Back
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- Short Cuts
2012
EN
Action Movies: The Cinema of Striking Back is a study of action cinema, exploring the ethics and aesthetics of the genre with reference to its relatively short history. It moves from seminal classics like Bullitt (1968) and Dirty Harry (1971) through epoch-defining films like Rambo: First Blood Part II (1985) and Die Hard (1988) to revisions, reboots, and renewals in films like Kill Bill Vol. 1 (2003), Taken (2008), and The...
The Cinema of Michael Mann
Vice and Vindication
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- Directors' Cuts
2013
EN
Michael Mann is one of the most important American filmmakers of the past forty years. His films exhibit the existential concerns of art cinema, articulated through a conspicuous and recognizable visual style and yet integrated within classical Hollywood narrative and genre frameworks. Since his beginnings as a screenwriter in the 1970s, Mann has become a key figure within contemporary American popular culture as writer, director, and producer for film and television. This volume offers a ...











