Winner of the 2025 Hamilton Literary Award for FictionA new collection of stories by Giller Prize finalist Gary Barwin that puts the fab in fabulist.Scandal at the Alphorn Factory: New and Selected Short Fiction, 1984–2024 couples brand new and uncollected stories with selections of the most playful and ambitious of Barwin’s previous collections, including Cruelty to Fabulous Animals, Big Red Baby, Do...

With uncanny wit, inventive beauty, and numinous surprise, The Most Charming Creatures explores the contemporary and its language, considering our wonder, sorrow, bewilderment, anxiety, and tenderness. While these poems energize and connect and “turn the paren- / theses inside out so that / we mean everything,” they are also alive to the alluring complicity of language and its duplicity and deceptions. “This is the way the world ends / Not with a bang but / while we watch.”

A middle-aged Jewish man who fantasizes about being a cowboy goes on an eccentric quest across Europe after the 1941 Nazi invasion of Lithuania in this wild and witty yet heartrending novel from the bestselling author of Yiddish for Pirates, shortlisted for the Scotiabank Giller Prize.Motl is middle-aged, poor, nerdy, Jewish and in desperate need of a shave. Since having his balls shot cleanly off as a youth in WWI, he's lived a quiet life at home in Vilni...

In A Cemetery for Holes, poetic language bends and breaks, resists and reforms under the stress of family trauma. Consensual reality shifts with nonconsensual harm. It is this history of violence which is ultimately, confronted, fought against, and overcome. While engaged in this struggle, the poems also strive to rebuild, to console and to rediscover the world, its beauty, tenderness, humour, and joy.

Shortlisted for the City of Hamilton book awardAt times comic, tender, dark, and arrestingly bizarre, Gary Barwin’s latest fiction collection marvels at the strangeness, charm, and beauty that is contemporary life in the quantum world.Ranging from short story to postcard fiction, Barwin’s stories are luminous, hilarious, and surprising. A billionaire falls in love with a kitchen appliance, a couple share a pair of legs, a pipeline-size hair is given the Nob...

Sonosyntactics introduces the reader to over forty-five years of Paul Dutton’s diverse and inventive poetry, ranging from lyrics, prose poems, and visual work to performance texts and scores. Perhaps best known for his acclaimed solo sound performances and his contributions to the iconic sound poetry group The Four Horsemen, Dutton is a surprising, witty, sensitive, and innovative explorer of language and of the human. This volume gathers a representative selection of his most sig...

Poet and musician Gary Barwin both continues and extends the alchemical collision of language, imaginative flight and quiet beauty that have made him unique among contemporary poets. As the Utne Reader has noted, what makes this work so compelling is 'Barwin’s balance of melancholy with wide-eyed wonder.' The Porcupinity of the Stars sees the always bemused and wistful poet reaching into new and deeper territory, addressing the joys and vagaries of perception in poems tou...

In A Cemetery for Holes, poetic language bends and breaks, resists and reforms under the stress of family trauma. Consensual reality shifts with nonconsensual harm. It is this history of violence which is ultimately, confronted, fought against, and overcome. While engaged in this struggle, the poems also strive to rebuild, to console and to rediscover the world, its beauty, tenderness, humour, and joy.

"Inseminating the Elephant [is] a collection of poems, often laced with humor, that examines popular culture, the limits of the human body, and the tragicomic aspects of everyday experience."-Pulitzer Prize finalist citation"These poems are tough and witty."-The New Yorker"Whoever told you poetry isn't for everyone hasn't read Lucia Perillo."-Time Out New YorkA 2009 Pulitzer Prize finalist, Inseminating the Elephant delivers hard-...

Bent at the Spine offers a 'pronoun'-ced frolic where the "you" is a disconnected third party - the reader is left in the position of an eavesdropper, or a listener, or a karmasurplus author. Its relentless interrogation resonates at an invigorating pace: cultural difference, different bodies, diffident accents, deafening rhymes. Sometimes rapturous, often vulvy, the poems audaciously teach "you" how to read them, allowing the last-minute-cram-session to be a delving, a plunging, ...

Lean but brawny, reminiscent but edgy, these poems recall boyhood, fatherhood, and manhood. With tones of regret, dark humor, and poignant beauty, Henderson's contemporary verse appeals to poets and non-poets alike.

'All of Nichol's work is stamped by his desire to create texts that are engaging in themselves as well as in context, and to use indirect structural and textual devices to carry meaning. In The Martyrology different ways of speaking testify to a journey through different ways of being. Language is both the poet’s instructor and, through its various permutations, the dominant 'image' of the poem. The [nine] books of The Martyrology document a poet’s quest for insight into ...