Bob Dylan’s art and image are at once rivetingly iconic and eternally elusive. Yet one aspect of his career remains underexplored: his appearances and depictions on screen. Since the mid-1960s, Dylan has been the subject of documentaries, an actor in feature films, and the auteur of his own film projects, as well as the inspiration for both traditional and unconventional biopics.I’m Glad I’m Not Me explores Dylan on film, from D. A. Pennebaker’s direct cinema classic D...

Paul Thomas Anderson’s evolution from a brash, self-anointed “Indiewood” auteur to one of his generation’s most distinctive voices has been one of the most remarkable career trajectories in recent film history. From early efforts to emulate his cinematic heroes to his increasingly singular late films, Anderson has created a body of work that balances the familiar and the strange, history and myth: viewers feel perpetually off balance, unsure of whether to expect a pitch-black joke or a mom...

Paul Thomas Anderson’s evolution from a brash, self-anointed “Indiewood” auteur to one of his generation’s most distinctive voices has been one of the most remarkable career trajectories in recent film history. From early efforts to emulate his cinematic heroes to his increasingly singular late films, Anderson has created a body of work that balances the familiar and the strange, history and myth: viewers feel perpetually off balance, unsure of whether to expect a pitch-black joke or a mom...