A walking tour and history of Bob Dylan's life and time in New York, from Greenwich Village to Woodstock.Bob Dylan's New York is a guidebook and a history of New York's key role through Dylan's lengthy career. It places Dylan's early career in the storied history of Greenwich Village, a hotbed of new developments in the arts. A contemporary of Dylan's, author Dick Weissman walked the same streets, played music in the same venues, and witnessed the growth o...

An excellent and essential primer for the aspiring tunesmith, Songwriting: The Words, the Music & Money offers authoritative tips on everything from basic song forms to the hard facts of succeeding in the music business. In between, veteran songwriter Dick Weissman shares his insights into composing effective lyrics, melodies and hooks, as well as detailed breakdowns of every musical style from folk to cabaret to hip hop. The first book on the topic to be accompanied by a CD cover...

The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune, Cripple Creek, and wanted the trombone to take a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was unsuitable for the chart, Dick realized that, in addition to the many musicians who do not improvise, there are even jazz musicians who don't know how to improvise outside...

This book presents a selection of original 5-string banjo tunes that can be played by the beginning student familiar with basic chords in G tuning. The author introduces a variety of styles and banjo techniques including hammer-ons, pull-offs, string bending and slides - all in standard notation and banjo tab. Banjo chords are shown in diagram format and suggested chord changes for an accompaniment instrument are provided. With the exception of three frailing pieces, all selections employ ...

The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune, Cripple Creek, and wanted the trombone to take a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was totally unsuitable for the chart, Dick realized that - in addition to the many musicians who do not improvise - there are even jazz musicians who don't know how to improvi...

This book is designed to help the beginning to intermediate flatpicking guitarist in developing control of the pick. The author introduces a number of traditional and ethnic styles and discusses various flatpicking techniques including up and down picking, crosspicking, and playing with a combination of pick and fingers. The approximately 30 progressively arranged pieces in the book are useful in learning to read both standard notation and tablature. Where practical, suggested chords are o...

This book will appeal to pianists who want to learn to improvise in many of the styles current today including blues, rock, Latin-American, country, New Age, World Music, etc.The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune, Cripple Creek, and wanted the trombone to take a solo as part of the arrangement. When the trombonist kept playing a bebop so...

The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune, Cripple Creek, and wanted the trombone to take a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was unsuitable for the chart, Dick realized that, in addition to the many musicians who do not improvise, there are even jazz musicians who don't know how to improvise outside...

The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune, Cripple Creek, and wanted the trombone to take a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was totally unsuitable for the chart, Dick realized that, in addition to the many musicians who do not improvise, there are even jazz musicians who don't know how to improvise...

In recent years an almost overwhelming number of books have appeared covering various aspects of American folk music and its history. Before 1970, most comprised collections of songs with a sprinkling of biographical information on noted performers. Over the past decade, however, scholars, journalists, and folk artists themselves have contributed biographies and autobiographies, instructional books and historical surveys, sociological studies and ethnographic analyses of this musical genre...

While many dream of a career as a singer/songwriter, few know how to go about getting bookings, copywrighting and protecting their songs, making promotional recordings, getting radio and print coverage and negotiating contracts for appearances. This book covers all of these topics and more, aimed at everyone from the absolute beginner to the more seasoned performer, to help them avoid the common pitfalls and problems encountered along the road to success.The authors draw on years o...

This book of original pieces is intended to give the beginning fiddler an immediate grasp of the fundamentals of fiddling in an instructive yet enjoyable way. The authors assume that the student is capable of reading music in the first position in various keys. Rare in fiddle notation- a tablature system is included with suggested fingerings below each line of music. Melodies are shown with chord symbols for guitar, banjo, or piano accompaniment. A companion audio is included-all at a grea...