Showing results for "david leatherbarrow"
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Topographical Stories
Studies in Landscape and Architecture
2015
EN
Landscape architecture and architecture are two fields that exist in close proximity to one another. Some have argued that the two are, in fact, one field. Others maintain that the disciplines are distinct. These designations are a subject of continual debate by theorists and practitioners alike.Here, David Leatherbarrow offers an entirely new way of thinking of architecture and landscape architecture. Moving beyond partisan arguments, he shows how the two disciplines rely upon one...
Topographical Stories
Studies in Landscape and Architecture
2015
EN
Landscape architecture and architecture are two fields that exist in close proximity to one another. Some have argued that the two are, in fact, one field. Others maintain that the disciplines are distinct. These designations are a subject of continual debate by theorists and practitioners alike.Here, David Leatherbarrow offers an entirely new way of thinking of architecture and landscape architecture. Moving beyond partisan arguments, he shows how the two disciplines rely upon one...
2017
EN
Three Cultural Ecologies reverses common conceptions of modern architecture. It reveals how selected works of two modern architects, Le Corbusier and Frank Lloyd Wright, embraced environmental and cultural conditions as reciprocal and complementary. A basic premise of this book’s arguments is that cultural patterns cannot be adequately conceptualized in the terms that typically define ecology today. Instead, studies based on the natural sciences must be complemented by description...
Building Time
Architecture, event, and experience
2020
EN
While most books on architecture concentrate on spatial themes, this bookexplores architecture's temporal dimensions. Through a series of close readings of buildings, both contemporary and classic, it demonstrates the centrality of time in modern architecture, and shows why an understanding of time is critical to understanding good architecture.All buildings exist in time. Even if designed for permanence, they change, slowly but inevitably. They change use, they accrue history and ...
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1992
EN
"Visionary, often brilliant." —Los Angeles TimesFrom the assembly halls of Athens to the Turkish baths of New York's Lower East Side, from eighteenth-century English gardens to the housing projects of Harlem—a study of the physical fabric of the city as a mirror of Western society and culture.
30-Second Architecture
The 50 Most Signicant Principles and Styles in Architecture, each Explained in Half a Minute
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- 30-Second
2013
EN
Accessible
The 50 most significant principles and styles in architecture, each explained in half a minute. The bestselling 30-Second series offers a new approach to learning about those subjects you feel you should really understand. Every title takes a popular topic and dissects it into the 50 most significant ideas at its heart. Each idea, no matter how complex, is explained using a mere two pages, 300 words, and one picture: all easily digested in only half a minute. 30-Second Architecture present...
Introducing Architectural Theory
Debating a Discipline
2013
EN
Accessible
This is the most accessible architectural theory book that exists. Korydon Smith presents each common architectural subject – such as tectonics, use, and site – as though it were a conversation across history between theorists by providing you with the original text, a reflective text, and a philosophical text. He also introduces each chapter by highlighting key ideas and asking you a set of reflective questions so that you can hone your own theory, which is essential to both your success ...
2003
EN
This important work, now available in paperback, from Professor Geoffrey Broadbent, provides a clear analysis of the nature of many of today's design problems, identifying their causes in history and suggesting a basis for co-ordinated solutions. The author discusses `picturesque' and `formal' tendencies in modern architecture, relating them to parallels between philosophic thought and design theory through the ages. Using a wealth of international examples from around the world including ...
2012
EN
So much writing about architecture tends to evaluate it on the basis of its intentions: how closely it corresponds to the artistic will of the designer, the technical skills of the builder, or whether it reflects the spirit of the place and time in which it was built, making it not much more than the willful (or even subconscious) assemblage of objects that result from design and construction techniques. Renowned writer and thinker David Leatherbarrow, in this groundbreaking new book, argu...
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- Critical Views
2011
EN
with essays by Jean Baudrillard, Thomas DaCosta Kaufmann, Nicholas Thomas, Mieke Bal, John Forrester, John Windsor, Naomi Schor, Susan Stewart, Anthony Alan Shelton, Jaś Elsner, Roger Cardinal and an interview with Robert Opie.This book traces the psychology, history and theory of the compulsion to collect, focusing not just on the normative collections of the Western canon, but also on collections that reflect a fascination with the ‘Other’ and the marginal – the ephemeral, exotic...
Architecture and Narrative
The Formation of Space and Cultural Meaning
2009
EN
Accessible
Architecture is often seen as the art of a thinking mind that arranges, organizes and establishes relationships between the parts and the whole. It is also seen as the art of designing spaces, which we experience through movement and use. Conceptual ordering, spatial and social narrative are fundamental to the ways in which buildings are shaped, used and perceived. Examining and exploring the ways in which these three dimensions interact in the design and life of buildings, this intriguing...
Vermeer's Wager
Speculations on Art History, Theory, and Art Museums
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- Essays in Art and Culture
2000
EN
Vermeer's Wager stands at the intersection of art history and criticism, philosophy and museology. Using a familiar and celebrated painting by Johannes Vermeer as a case study, Ivan Gaskell explores what it might mean to know and use a work of art. He argues that art history as generally practiced, while successfully asserting certain claims to knowledge, fails to take into account aspects of the unique character of works of art. Our relationship to art is mediated, not only throu...











