Showing results for "david batchelor"
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Urban Aotearoa
The Future for Our Cities
- Book 106 -
- BWB Texts
2024
EN
‘Despite our agrarian mythology, Aotearoa New Zealand is overwhelmingly a country of urban dwellers.’Urban Aotearoa: The Future for Our Cities takes a critical look at the evolution of New Zealand’s cities. Moving past the country’s rural image, the book addresses the realities of its urban majority, questioning suburban spread and exploring options for smarter living. A range of contributors provide insights that span housing trends, Māori urban development, Pacific design, climate actio...
2014
EN
Colour is a given of most people’s everyday lives, but at the same time it lies at the limits of language and understanding. David Batchelor’s previous book for Reaktion, Chromophobia, addressed the extremes of love and loathing that colour has provoked since antiquity. This book charts more ambiguous terrain.The Luminous and the Grey is a study of the places where colour comes into being and where it fades away, an inquiry into when colour begins and when it ends...
2011
EN
The central argument of Chromophobia is that a chromophobic impulse – a fear of corruption or contamination through colour – lurks within much Western cultural and intellectual thought. This is apparent in the many and varied attempts to purge colour, either by making it the property of some ‘foreign body’ – the oriental, the feminine, the infantile, the vulgar, or the pathological – or by relegating it to the realm of the superficial, the supplementary, the inessential, or the cosmetic.
- Narrated by
- Peter Coates
- Series -
- Focus on Contemporary Issues
Unabridged
3 hours 55 min
2024
EN
The central argument of Chromophobia is that a chromophobic impulse—a fear of corruption or contamination through color—lurks within much Western cultural and intellectual thought. This is apparent in the many and varied attempts to purge color, either by making it the property of some "foreign body"—the oriental, the feminine, the infantile, the vulgar, or the pathological—or by relegating it to the realm of the superficial, the supplementary, the inessential, or the cosmetic. Ch...
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- Series -
- Vintage International
2008
EN
Accessible
The writing career of Booker Prize winner John Berger–poet, storyteller, playwright, and essayist–has yielded some of the most original and compelling examinations of art and life of the past half century. In this essential volume, Geoff Dyer has brought together a rich selection of many of Berger’s seminal essays.Berger’s insights make it impossible to look at a painting, watch a film, or even visit a zoo in quite the same way again. The vast range of subjects he addresses, the le...
Making
Anthropology, Archaeology, Art and Architecture
2013
EN
Accessible
Making creates knowledge, builds environments and transforms lives. Anthropology, archaeology, art and architecture are all ways of making, and all are dedicated to exploring the conditions and potentials of human life. In this exciting book, Tim Ingold ties the four disciplines together in a way that has never been attempted before. In a radical departure from conventional studies that treat art and architecture as compendia of objects for analysis, Ingold proposes an anthropology and arc...
Sinister Resonance
The Mediumship of the Listener
2010
EN
Sinister Resonance begins with the premise that sound is a haunting, a ghost, a presence whose location is ambiguous and whose existence is transitory. The intangibility of sound is uncanny – a phenomenal presence in the head, at its point of source and all around. The close listener is like a medium who draws out substance from that which is not entirely there.The history of listening must be constructed from the narratives of myth and fiction, 'silent' arts such as painting, the ...
Yayoi Kusama
Infinity Mirror Room - Phalli's Field
- Series -
- Afterall Books / One Work
2012
EN
A study of Kusama's era-defining work, a “sublime, miraculous field of phalluses,” against the background of abstraction, eroticism, sexuality, and softness.Almost a half-century after Yayoi Kusama debuted her landmark installation Infinity Mirror Room—Phalli's Field (1965) in New York, the work remains challenging and unclassifiable. Shifting between the Pop-like and the Surreal, the Minimal and the metaphorical, the figurative and the abstract, the psych...
2013
EN
Henry Spencer Moore (1898-1986) was arguably the most influential British sculptor of the twentieth century. Brought up in Castleford in Yorkshire, Moore ended his life completing commissions for large-scale public sculptures in countries around the world. The scale of Moore's success in later life has tended to obscure the radical nature of his achievement. Rejecting the influence of his teachers and inspired by works from other cultures he saw in museums, Moore championed direct carving,...
- Series -
- Essays in Art and Culture
2013
EN
In The Postmodern Animal, Steve Baker explores how animal imagery has been used in modern and contemporary art and performance, and in postmodern philosophy and literature, to suggest and shape ideas about identity and creativity. Baker cogently analyses the work of such European and American artists as Olly and Suzi, Mark Dion, Paula Rego and Sue Coe, at the same time looking critically at the constructions, performances and installations of Robert Rauschenberg, Louise Bourgeois,...
2014
EN
Accessible
DO YOUA) Know a human?B) Love a human?C) Have trouble dealing with humans?IF YOU'VE ANSWERED YES TO ANY OF THE ABOVE, THIS BOOK IS FOR YOUWhether you are planning a high level of human interaction or just a casual visit to the planet, this user-guide to the human race will help you translate their sayings, understand exotic concepts such as 'democracy' and 'sofas', and make sense of their habits and bizarre customs.A phrase book, a dictionary an...
2010
EN
Accessible
A New York Times Notable BookA stunningly original exploration of the ties that bind us to the beautiful, ancient, astoundingly accomplished, largely unknown, and unfathomably different species with whom we share the world.For as long as humans have existed, insects have been our constant companions. Yet we hardly know them, not even the ones we’re closest to: those that eat our food, share our beds, and live in our homes. Organizing his book alpha...











