Showing results for "bruce adolphe"
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Dreaming and Thinking in Music
Exercises for Exploring Inspiration and Imagination in Musical Creativity
2025
EN
In Dreaming and Thinking in Music, Bruce Adolphe harnesses his wide-ranging experiences as a composer and educator to tackle one of the more elusive questions in music composition: how to get from technical ability to creative creation. Unlike standard composition textbooks that focus on writing melody, harmony, counterpoint, and rhythm, Dreaming and Thinking in Music guides readers to explore the rarely discussed problems of how to get ideas, and how to follow up with th...
Visions and Decisions
Imagination and Technique in Music Composition
2023
EN
This Element investigates the balance and interaction of imagination (visions) and technique (decisions) in the composition of music and includes current scientific research on dreams, the hypnagogic state, emotions, and feelings. It also includes thoughts of composers past and present, and examines how works start from visions in a range of music, comparing musical ideas and techniques to models in other creative disciplines. The Element elucidates aspects of musical discourse by imaginin...
The Mind's Ear
Exercises for Improving the Musical Imagination for Performers, Composers, and Listeners
2021
EN
The Mind's Ear offers a unique approach to stimulating the musical imagination and inspiring creativity, as well as providing detailed exercises aimed at improving the ability to read and imagine music in silence, in the "mind's ear." Modelling his exercises on those used in theatre games and acting classes and drawing upon years of experience with improvisation and composition, Bruce Adolphe has written a compelling, valuable, and practical guide to musical creativity that can be...
The Mind's Ear
Exercises for Improving the Musical Imagination for Performers, Composers, and Listeners
2013
EN
The Mind's Ear offers a unique approach to stimulating the musical imagination and inspiring creativity, as well as providing detailed exercises aimed at improving the ability to read and imagine music in silence, in the "mind's ear." Modeling his exercises on those used in theater games and acting classes, and drawing upon years of experience with improvisation and composition, Bruce Adolphe has written a compelling, valuable, and practical guide to musical creativity that can be...
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2011
EN
Accessible
Now in trade paperback: “The definitive guide to musical enjoyment” (Forum).In this fascinating analysis of how to listen to both contemporary and classical music analytically, eminent American composer Aaron Copland offers provocative suggestions that will bring readers a deeper appreciation of the most viscerally rewarding of all art forms.
2011
EN
This is the definitive guide to blues piano for beginners, by the world-renowned author and educator Mark Harrison. You'll get started right away, learning some essential left-hand and right-hand patterns to use on your first (or next) blues piano gig! The material is organized and explained in the clearest possible way, and all of the twenty-three music examples are very authentic and fun to play. All fingerings for the music examples are also provided. Once you have purchased this book, ...
2013
EN
Music theory need not be dreary! This eBook is the first in a two-part e-series of this well-loved book. Its clear and friendly writing and wry humor, coupled with fun illustrations throughout, makes the topic that music students think of as dry and boring, into something approachable, attainable, and yes, even enjoyable. For players of all instruments and singers, and—something that sets it apart from most theory books—even those who don't read music; it is applicable to all genres of mu...
2011
EN
Starting where he left off with his "Serious Jazz Practice Book," guitar legend Barry Finnerty has created another woodshed classic for all jazz soloists. Recording artist with Miles Davis, the Brecker Bros., etc., Barry shows how to become a better improviser by melodically mastering the individual chords used in jazz, how they connect with each other, and how they are used in various song forms. Endorsed by Joe Lovano, Hubert Laws, Mark Levine, etc.
2012
EN
Counterpoint is an approach to musical composition based on the union of independent and interdependent melodies. Counterpoint and How to Use It in Your Music is a step-by-step course in counterpoint, and shows you how to apply it in your own music, whether you write contemporary pop songs or pieces for orchestral or traditional instruments. "I love to learn from it. A mavelous master piece. I learned a lot from each lesson. I had to tran...
Melody in Songwriting
Tools and Techniques for Writing Hit Songs
2000
EN
(Berklee Guide). Melody is a subject too often neglected in the teaching of music. This unique resource gives melody that attention it deserves, and proves that melody writing is a skill that can be learned. Through proven tool and techniques, you will learn to write interesting melodies, how melodic rhythm influences rhyme, what makes harmony progress, and the many dynamic relationships between melody and harmony. This clear and comprehensive approach to songwriting unlocks the secrets of...
Music Theory 2 - Extended Chords - Color Chord Tones - 7, b7, 9, 10
Learn Piano With Rosa
2014
EN
In Music Theory 2 - Extended Chords, we move on to the chords that are 4-tone chords and 5-tone chords.After we learn the basic triad chords with 3 tones in Music Theory 1, we can build 4 tone chords and extended chords on them to create beautiful sounds with added color tones. This book is for music students in the intermediate to advanced level.Many people are confused regarding the 7th and 9th chords.In this Music Theory 2 - Advanced Exte...
2011
EN
The same notes can sound square or swinging, depending on how the music is phrased. This revolutionary book shows how many people misunderstand jazz phrasing and shows how to replace stiff phrasing with fluid lines that have the right jazz feeling. In this book, master pianist Hal Galper also shows how get that feeling of forward motion and also how to use melody guide tones correctly, how to line up the strong beat in a bar with the strongest chord notes, and much more!











