It is the 1930s and John P. Moore, an ambitious author, has just had his first story, a science fiction tale featuring the adventures of scientists and journalists taking the first trip to the planet Mars, published in Amazing Stories.But you won't find that story, along with its two sequels, inside the pages of any copy of Amazing Stories – not in a pulp magazine collector's vault, not on the internet archive and that is because the Amazing Stories that published ...

A deep dive into mid-century African American newspapers, exploring how Black pulp fiction reassembled genre formulas in the service of racial justiceIn recent years, Jordan Peele’s Get Out, Marvel’s Black Panther, and HBO’s Watchmen have been lauded for the innovative ways they repurpose genre conventions to criticize white supremacy, celebrate Black resistance, and imagine a more racially just world—important progressive messages widely...

From the hard-boiled detective stories of Dashiell Hammett to the novels of Claude McKay, The Word on the Streets examines a group of writers whose experimentation with the vernacular argues for a rethinking of American modernism—one that cuts across traditional boundaries of class, race, and ethnicity.The dawn of the modernist era witnessed a transformation of popular writing that demonstrated an experimental practice rooted in the language of the streets. Emerging alongs...

This article reads Willard Huntington Wright's work against his anxieties about cultural hierarchy and value, utilizing archival work in Wright's papers at the University of Virginia and unearthing a previously unknown series of crime stories that he published under another pseudonym a decade before his success as bestselling detective novelist S. S. Van Dine. The author argues that Wright's work in popular fiction provides a special opportunity for interrogating the highbrow/lowbrow divid...

NATIONAL BESTSELLER • Anna Quindlen presents a “swift and compelling paean to the joys of books” (Booklist).“Like the columns she used to write for the New York Times, [How Reading Changed My Life] is tart, smart, full of quirky insights, lapidary, and a pleasure to read.”—Publishers Weekly“Reading has always been my home, my sustenance, my great invincible companion. . . . Yet of all the many things in w...

A never-before-published collection of letters - an intimate self-portrait as well as the portrait of a century. Saul Bellow was a dedicated correspondent until a couple of years before his death, and his letters, spanning eight decades, show us a twentieth-century life in all its richness and complexity. Friends, lovers, wives, colleagues, and fans all cross these pages. Some of the finest letters are to Bellow's fellow writers-William Faulkner, John Cheever, Philip Roth, Martin Amis, Ral...

"A brilliant biography. . . . The joys are . . . discovering the autobiographical content of the . . . details that populate Updike's vast fictional universe." —Orhan Pamuk, The New York Times Book ReviewAdam Begley offers an illuminating portrait of John Updike, Pulitzer prize–winning novelist, poet, short-story writer, and critic who saw himself as a literary spy in small-town and suburban America, who dedicated himself to the task of transcribing "middle...

In Advice to Writers, Jon Winokur, author of the bestselling The Portable Curmudgeon, gathers the counsel of more than four hundred celebrated authors in a treasury on the world of writing. Here are literary lions on everything from the passive voice to promotion and publicity: James Baldwin on the practiced illusion of effortless prose, Isaac Asimov on the despotic tendencies of editors, John Cheever on the perils of drink, Ivan Turgenev on matrimony and ...

Want to find your voice? Learn from the best!In your development as a writer, you've likely been told to develop your own unique writing style, as if it were as simple as pulling it out of thin air. But finding your voice isn't easy--it requires time, practice, and a thorough understanding of how great fiction is written.Fiction Writing Master Class analyzes the writing styles of twenty-one superior novelists including Charles Dickens, Edith Wharton, Franz Kafka, F...

A New York Review Books OriginalAn uncompromising contrarian, a passionate polemicist, a man of quick wit and wide learning, an anarchist, a pacifist, and a virtuoso of the slashing phrase, Dwight Macdonald was an indefatigable and indomitable critic of America’s susceptibility to well-meaning cultural fakery: all those estimable, eminent, prizewinning works of art that are said to be good and good for you and are not. He dubbed this phenomenon “Midcult” and he attacked it not only...

"It takes true brilliance to lift the arid tellings of lexicographic fussing into the readable realm of the thriller and the bodice-ripper….David Skinner has done precisely this, taking a fine story and honing it to popular perfection."—Simon Winchester, New York Times bestselling author of The Professor and the MadmanThe Story of Ain't by David Skinner is the captivating true chronicle of the creation of Merriam Webster's Third New Internation...

Fables of Abundance ranges from the traveling peddlers of early modern Europe to the twentieth-century American corporation, exploring the ways that advertising collaborated with other cultural institutions to produce the dominant aspirations and anxieties in the modern United States.