In The Afric-American Picture Gallery, Britt Rusert examines a work of episodic fiction by educator and activist William J. Wilson—a series of experimental, satirical prose published in the Anglo-African Magazine in 1859. It tells the tale of a flaneur character who takes readers on a virtual tour through an imagined gallery of Black art, long before any such museum existed in the United States. Rusert uses Wilson’s series as groundwork to formulate a theory of the practi...

A collection of rediscovered fantasy, horror, and speculative stories from an icon of the Harlem Renaissance and cofounder of the NAACP, many published here for the first time.

Honorable Mention, 2019 MLA Prize for a First BookSole Finalist Mention for the 2018 Lora Romero First Book Prize, presented by the American Studies AssociationExposes the influential work of a group of black artists to confront and refute scientific racism.Traversing the archives of early African American literature, performance, and visual culture, Britt Rusert uncovers the dynamic experiments of a group of black writers, artists, and performers. F...

The colorful charts, graphs, and maps presented at the 1900 Paris Exposition by famed sociologist and black rights activist W. E. B. Du Bois offered a view into the lives of black Americans, conveying a literal and figurative representation of "the color line." From advances in education to the lingering effects of slavery, these prophetic infographics —beautiful in design and powerful in content—make visible a wide spectrum of black experience.W. E. B. Du Bois's Data Portraits...

Making Whiteness is a profoundly important work that explains how and why whiteness came to be such a crucial, embattled--and distorting--component of twentieth-century American identity. In intricately textured detail and with passionately mastered analysis, Grace Elizabeth Hale shows how, when faced with the active citizenship of their ex-slaves after the Civil War, white southerners re-established their dominance through a cultural system based on violence and physical ...

For over two centuries, America has celebrated the same African-American culture it attempts to control and repress, and nowhere is this phenomenon more apparent than in the strange practice of blackface performance. Born of extreme racial and class conflicts, the blackface minstrel show appropriated black dialect, music, and dance; at once applauded and lampooned black culture; and, ironically, contributed to a "blackening of America." Drawing on recent research in cultural studies and so...

White southerners recognized that the perpetuation of segregation required whites of all ages to uphold a strict social order—especially the young members of the next generation. White children rested at the core of the system of segregation between 1890 and 1939 because their participation was crucial to ensuring the future of white supremacy. Their socialization in the segregated South offers an examination of white supremacy from the inside, showcasing the culture's efforts to preserve ...

It would be easy to assume that, in the eighteenth century, slavery and the culture of taste--the world of politeness, manners, and aesthetics--existed as separate and unequal domains, unrelated in the spheres of social life. But to the contrary, Slavery and the Culture of Taste demonstrates that these two areas of modernity were surprisingly entwined. Ranging across Britain, the antebellum South, and the West Indies, and examining vast archives, including portraits, period painti...

How did African-American slaves view their white masters? As demons, deities or another race entirely? When nineteenth-century white Americans proclaimed their innate superiority, did blacks agree? If not, why not? How did blacks assess the status of the white race? Mia Bay traces African-American perceptions of whites between 1830 and 1925 to depict America's shifting attitudes about race in a period that saw slavery, emancipation, Reconstruction, and urban migration. Much has been writte...

A groundbreaking study of the connections between homoeroticism, cannibalism, and cultures of consumption in American literature and US slave culture.Scholars of US and transatlantic slavery have largely ignored or dismissed accusations that Black Americans were cannibalized. Vincent Woodard takes the enslaved person's claims of human consumption seriously, focusing on both the literal starvation of the slave and the tropes of cannibalism on the part of the slaveho...

The Cambridge Companion to Henry David Thoreau is intended as an accessible guide to reading and understanding the works of Thoreau. Presenting essays by a distinguished array of contributors, the Companion is a valuable resource for historical and contextual material, whether on early writings like A Week on the Concord and Merrimack Rivers, on the monumental Walden, or on his assorted journals and later books. It also serves in some ways as a biographical guide, offering new insights int...

The debate over the affair between Thomas Jefferson and Sally Hemings rarely rises above the question of "Did they or didn’t they?" But lost in the argument over the existence of such a relationship are equally urgent questions about a history that is more complex, both sexually and culturally, than most of us realize. Mongrel Nation seeks to uncover this complexity, as well as the reasons it is so often obscured.Clarence Walker contends that the relationship between Jeffe...