Mortal Arguments is Sue Sinclair’s second poetry collection. In it, she continues her extraordinary phenomenological investigation of lived experience, addressing with increasing urgency issues of profound philosophical and political importance such as consumerism, privilege, and our ability to respond to the suffering of others. Her voice combines great metaphorical brilliance with the depth one expects of a much older writer. Her poems will remind readers by turns of Rilke and Heine: urg...

Heaven's Thieves is a collection engaged with the big questions -- What are bodies for? What does it mean to be alive? What is beauty and why does it have such power over us? What is the point of art? -- and the urgent ones -- how to live in a shattered ecology, what to do about grief, illness, betrayal. Sinclair turns her attention to these questions with fearless curiosity, economy, and an originality born of her willingness to pursue her own line of inquiry to its limit. These poems get...

Mortal Arguments is Sue Sinclair’s second poetry collection. In it, she continues her extraordinary phenomenological investigation of lived experience, addressing with increasing urgency issues of profound philosophical and political importance such as consumerism, privilege, and our ability to respond to the suffering of others. Her voice combines great metaphorical brilliance with the depth one expects of a much older writer. Her poems will remind readers by turns of Rilke and Heine: urg...

Central banks have evolved over many years, and sometimes centuries, as policy-making, not profit-making, institutions, and yet they are structured legally and financially like ‘for-profit’ companies of the twenty-first century. The question is what is an appropriate level of equity, or capital, for a central bank to have so that it can function for policy effectiveness over profit-maximisation, without hindrance to the achievement and maintenance of policy goals?This collection ta...

Shortlisted for the 2002 Gerald Lampert Award Sue Sinclair's poems speak from that precise place where our perception of the world and our capacity for language meet and embrace, where our sense of experience goes to get sharpened and refreshed. That experience might involve the inner lives of clouds, the flourishing and passing of a tulip, the evocative scent of wolf willow, or the intricate arts of Bach and Virginia Woolf. These poems are deft, musical, and quick in the moment, alive to ...

Shortlisted for the 2002 Gerald Lampert Award Sue Sinclair's poems speak from that precise place where our perception of the world and our capacity for language meet and embrace, where our sense of experience goes to get sharpened and refreshed. That experience might involve the inner lives of clouds, the flourishing and passing of a tulip, the evocative scent of wolf willow, or the intricate arts of Bach and Virginia Woolf. These poems are deft, musical, and quick in the moment, alive to ...

Winner, New Brunswick Book Award (Poetry)Third Prize Winner, Alcuin Society Book Design Awards (Poetry)Finalist, Derek Walcott Prize for PoetrySue Sinclair has been praised for her "crisp, lyrical poems imbued with subtle, subtextual philosophic musings" (Globe and Mail). She has been described as a poet who "writes her way to a new understanding of the world and carries her readers with her" (Journal of Canadian Poetry). Sinclair’s ...

The poems in Sylvia Plath's Ariel, including many of her best-known such as 'Lady Lazarus', 'Daddy', 'Edge' and 'Paralytic', were all written between the publication in 1960 of Plath's first book, The Colossus, and her death in 1963.'If the poems are despairing, vengeful and destructive, they are at the same time tender, open to things, and also unusually clever, sardonic, hardminded . . . They are works of great artistic purity and, despite all the nihilism, grea...

Winner of the 2002 Dorothy Livesay Award for Poetry (BC Book Prizes), shortlisted for the 2002 Griffin Poetry Prize, the 2002 Gerald Lampert Award for first book and longlisted for the 2002 ReLit Awards.Karen Solie takes risks with perception and language, risks that pay off in such startling ways that it's hard to believe this is a first book. Short Haul Engine is one great twist of fate and fury after another. The writing is clear, striking and open to a...

John Ashbery writes like no one else among contemporary American poets. In the construction of his intricate patterns, he uses words much as the contemporary painter uses form and color- words painstakingly chosen as conveyors of precise meaning, not as representations of sound. These linked in unexpected juxtapositions, at first glance unrelated and even anarchic, in the end create by their clashing interplay a structure of dazzling brilliance and strong emotional impact. From this preocc...

A groundbreaking meditation on sexual politics, love, and human tenacity from the world-renowned pioneer of feminist writing and prophetic author of The Handmaid’s Tale, Margaret Atwood.When it first appeared in 1971, Margaret Atwood’s Power Politics startled readers with its vital dance of woman and man. It still startles today, and is just as iconoclastic as ever. These poems occupy all at once the intimate, the political, and the mythic. Here A...

The Burning Alphabet confirms and extends Barry Dempster’s reputation as one of Canada’s most respected poets. Underpinning these poems, as in his previous work, there lies an unswerving dedication to emotional and spiritual honesty, clear-eyed recognitions rendered without pomp. In one section, "Sick Days", he focuses on that "other place" of chronic illness. Other poems present arguments against suicide, and explore the tropical wonders of a woman’s closet. The closing section renders, w...