The full eBook version of FutureDJs: How to DJ in fixed-layout format. FutureDJs: How to DJ is the ideal resource for anyone interested in the alchemy of mixing records. Perfect for the aspiring student with no prior knowledge as well as DJs looking to extend their skills and explore new genres. This complete guide covers all the technical foundations for DJ-ing in any genre or style, from fundamental skills such as beat-matching right through to using effects, scratching and beat-juggling...

In 1946, Life Magazine declared, "Dashiell Hammett's Fat Man is suave, witty, hardboiled and provides better than average radio entertainment." By 1948, The Fat Man was one of the top 10 shows on Friday nights, with more than six million listeners every week. And, starring as Brad Runyon, the "Fat Man" of the title, was J. Scott Smart, a 270 pound actor who sounded every pound the part.In 1954, a revival of the program made its way "down under," starring New Zealand actor Lloyd Berrell as ...

A duo of Dashiell Hammett detectives!J. Scott Smart stars as "The Fat Man," Brad Runyon, the stout-but-stalwart investigator who was first conceived as an arch villain in Hammett's classic novel The Maltese Falcon. Charismatic and captivating, Runyon has a way with the ladies, in spite of his 237 pounds.Nick Charles, "The Thin Man," was played on radio by William Powell, Les Damon and Les Tremayne. Cases seem to fall in to Nick's lap…often dropped there by his wife, Nora (played by Myrna L...

The original teleplay that became the classic Star Trek episode, with an expanded introductory essay by Harlan Ellison, The City on the Edge of Forever has been surrounded by controversy since the airing of an “eviscerated” version—which subsequently has been voted the most beloved episode in the series’ history. In its original form, The City on the Edge of Forever won the 1966–67 Writers Guild of America Award for Best Teleplay. As aired, it won the 1967 Hugo A...

A chilling reenactment of the federal government’s anti-Communist investigationsThe testimony that Eric Bentley has gleaned for this book from the thirty-year record of the House Un-American Activities Committee focuses on HUAC’s treatment of artists, intellectuals, and performers. This highly dramatic and compelling collection of significant excerpts from the hearings shows with painful clarity how HUAC grew from a panel that investigated possible subversive activities in a “digni...