Music education today requires an approach rooted in care and kindness that coexists alongside the dismantling of systems that fail to serve our communities in higher education. But, as the essayists in Sound Pedagogy show, the structural aspects of music study in higher education present obstacles to caring and kindness like the entrenched master-student model, a neoliberal individualist and competitive mindset, and classical music’s white patriarchal roots. The editors of this v...

The musical, whether on stage or screen, is undoubtedly one of the most recognizable musical genres, yet one of the most perplexing. What are its defining features? How does it negotiate multiple socio-cultural-economic spaces? Is it a popular tradition? Is it a commercial enterprise? Is it a sophisticated cultural product and signifier?This research guide includes more than 1,400 annotated entries related to the genre as it appears on stage and screen. It includes reference works,...

The screenplay writer in Hollywood was a pen-for-hire. Whatever your status elsewhere in the world here, in Hollywood, you were usually a high-paid weekly contract where your talents, your genius, were at the beck and call of others who spoke of Art but were really mad but we're really the mouthpieces of Commerce.But radio for the Hollywood studio system was all about marketing. On that basis something approaching art could be produced on a regular basis. This series produced some ...

The screenplay writer in Hollywood was a pen-for-hire. Whatever your status elsewhere in the world here, in Hollywood, you were usually a high-paid weekly contract where your talents, your genius, were at the beck and call of others who spoke of Art but were really mad but we're really the mouthpieces of Commerce.But radio for the Hollywood studio system was all about marketing. On that basis something approaching art could be produced on a regular basis. This series produced some ...

The screenplay writer in Hollywood was a pen-for-hire. Whatever your status elsewhere in the world here, in Hollywood, you were usually a high-paid weekly contract where your talents, your genius, were at the beck and call of others who spoke of Art but were really mad but we're really the mouthpieces of Commerce.But radio for the Hollywood studio system was all about marketing. On that basis something approaching art could be produced on a regular basis. This series produced some ...

The screenplay writer in Hollywood was a pen-for-hire. Whatever your status elsewhere in the world here, in Hollywood, you were usually a high-paid weekly contract where your talents, your genius, were at the beck and call of others who spoke of Art but were really mad but we're really the mouthpieces of Commerce.But radio for the Hollywood studio system was all about marketing. On that basis something approaching art could be produced on a regular basis. This series produced some ...

Back in the day radio was the medium; and its message was entertainment!Whatever you craved, radio delivered. Detectives, Mysteries, Westerns, Sci-Fi, Literature.This Golden Age really was crammed full of exciting, thrilling and downright brilliant programmes.These classic radio hours serve up a wide range of genres, stars, stories, and yes, entertainment.Let's jump right in.

The screenplay writer in Hollywood was a pen-for-hire. Whatever your status elsewhere in the world here, in Hollywood, you were usually a high-paid weekly contract where your talents, your genius, were at the beck and call of others who spoke of Art but were really mad but we're really the mouthpieces of Commerce.But radio for the Hollywood studio system was all about marketing. On that basis something approaching art could be produced on a regular basis. This series produced some ...

Back in the day radio was the medium; and its message was entertainment!Whatever you craved, radio delivered. Detectives, Mysteries, Westerns, Sci-Fi, Literature.This Golden Age really was crammed full of exciting, thrilling and downright brilliant programmes.These classic radio hours serve up a wide range of genres, stars, stories, and yes, entertainment.Let's jump right in.

In the first full-scale life of the mostimportant composer-lyricist at work in musical theatre today, Meryle Secrest, the biographer of Frank Lloyd Wright and Leonard Bernstein, draws on her extended conversations with Stephen Sondheim as well as on her interviews with his friends, family, collaborators, and lovers to bring us not only the artist--as a master ofmodernist compositional style--but also the private man.Beginning with his early childhood on New York's pros...

The "essential and hilarious" book that highlights almost 200 musicals and examines how they became Broadway's biggest fails ( The New Yorker ).Ken Mandelbaum offers the behind-the-scenes story of the development of almost two hundred musical flops that played Broadway between 1950 and 1990, along with a reevaluative and often revisionist study of their quality.Here they all are, from such legendary catastrophes as...

From the 1920s to the early 1960s, Manhattan was America's beacon of sophistication. From the theatres of Broadway to the lobby of the Algonquin Hotel to tables at the Stork Club, intelligence and wit were the twinned coins of the realm. Alexander Woolcott, Irving Berlin, Edna Ferber, Arturo Toscanini, Leonard Bernstein, Cole Porter, Dorothy Parker, Truman Capote, the Lunts and Helen Hayes presided over the town. Their books, plays, performances, speeches, dinner parties, masked balls, lov...