The first title in our Laurier Digital Imprint.Representing Sound elucidates the base technical ontology, the machine essence, of every recorded musical communication. In so doing, it suggests the broad contours of an unprecedented theoretical basis for considering recording practice that posits no fundamental relationship between it and live performance. Representing Sound thus complicates common conceptions of sound to include different ontological state...

In 1915, Thomas Edison proclaimed that he could record a live performance and reproduce it perfectly, shocking audiences who found themselves unable to tell whether what they were hearing was an Edison Diamond Disc or a flesh-and-blood musician. Today, the equation is reversed. Whereas Edison proposed that a real performance could be rebuilt with absolute perfection, Pro Tools and digital samplers now allow musicians and engineers to create the illusion of performances that never were. In ...

Students and research workers in mathematics, physics, engineering and other sciences will find this compilation invaluable. All the information included is practical, rarely used results are excluded. Great care has been taken to present all results concisely and clearly. Excellent to keep as a handy reference! If you don't have a lot of time but want to excel in class, this book helps you: Brush up before tests Find answers fast Learn key formulas and tables Study quickly and more effect...

Offers user-friendly knowledge and stimulating exercises to help compose story, develop characters and create emotion through skillful creation of the sound track.

Electronic music evokes new sensations, feelings, and thoughts in both composers and listeners. Opening the door to an unlimited universe of sound, it engages spatialization as an integral aspect of composition and focuses on sound transformation as a core structural strategy. In this new domain, pitch occurs as a flowing and ephemeral substance that can be bent, modulated, or dissolved into noise. Similarly, time occurs not merely as a fixed duration subdivided by ratios, but as a plastic...

With an introduction by Hubertus von AmelunxenMedia philosopher Vilém Flusser proposed a revolutionary new way of thinking about photography. An analysis of the medium in terms of aesthetics, science and politics provided him with new ways of understanding both the cultural crises of the past and the new social forms nascent within them. Flusser showed how the transformation of textual into visual culture (from the linearity of history into the two-dimensionality of magic) and of i...

MP3: The Meaning of a Format recounts the hundred-year history of the world's most common format for recorded audio. Understanding the historical meaning of the MP3 format entails rethinking the place of digital technologies in the larger universe of twentieth-century communication history, from hearing research conducted by the telephone industry in the 1910s, through the mid-century development of perceptual coding (the technology underlying the MP3), to the format's promiscuous...

This accessible Introduction explores both mainstream and experimental manifestations of electronic music. From early recording equipment to the most recent multimedia performances, the history of electronic music is full of interesting characters, fascinating and unusual music, and radical technology. Covering many different eras, genres and media, analyses of works appear alongside critical discussion of central ideas and themes, making this an essential guide for anyone approaching the ...

The Audible Past explores the cultural origins of sound reproduction. It describes a distinctive sound culture that gave birth to the sound recording and the transmission devices so ubiquitous in modern life. With an ear for the unexpected, scholar and musician Jonathan Sterne uses the technological and cultural precursors of telephony, phonography, and radio as an entry point into a history of sound in its own right. Sterne studies the constantly shifting boundary between phenome...

Contemporary electronic music has splintered into numerous genres and subgenres, all of which share a concern with whether sound, in itself, bears meaning. Listening through the Noise considers how the experience of listening to electronic music constitutes a departure from the expectations that have long governed music listening in the West.

How to Reach the 9.0 is a series created by the tutors of IELTS Medical in order to complement our IELTS Academic classes for medical professionals. Writing is the third part of the IELTS exam. It takes 1 hour and consists of two parts: a report and an essay. Promoting regular practice, our tutors break down each skill with an emphasis on achieving high scores in the Writing exam. With an emphasis on tutoring students to respond to the task appropriately, we also teach Medics to write regu...

Magic squares it seems have been around for some 4000 years, possibly starting with the 'Loh Shu' square of Chinese legend. They have ever exercised the minds of recreational puzzlers and mathematicians alike; they have featured in art, architecture and books (both novels and learned writings). In this collection I have gathered together a selection from the many sources and added a few touches of my own. It is not a learned text and contains only a modest bit of real maths; it may bore ma...