South Point survived the siege. But survival isn't the same as understanding.In the smoke-filled aftermath, veteran journalist Thomas Snow and his editor wife Zay can't stop pulling threads. The church that didn't burn. The machete-wielding man they called The Beast. The mysterious stranger who appeared at exactly the right moment and vanished just as quickly. The missing girls - including their own daughter Megan - still out there somewhere, still in the hands of ...

First published in 1967 The Theatre of Commitment presents miscellaneous collection of seven essays written over fifteen years. Eric Bentley deals with themes like is the drama an extinct species; the American drama; what is theatre; the pro and con of political theatre; letter to a would-be playwright and the theatre of commitment. For most people, theatre of commitment is political theater, though Bentley indicates that the word commitment is broad enough to embrace the work of ...

In The Theory of the Modern Stage, leading drama critic, Eric Bentley, brings together landmark writings by dramatists, directors and thinkers who have had a profound effect on the theatre since the mid nineteenth century, from Adolphe Appia to Émile Zola.Here, Antonin Artaud sets out a manifesto for a Theatre of Cruelty, Bertolt Brecht discusses the tension between entertainment and instruction in experimental drama and Bernard Shaw defends himself as a realist, while W. ...

A chilling reenactment of the federal government’s anti-Communist investigationsEric Bentley has chosen highlights from the thirty-year record of the House Un-American Activities Committee to demonstrate HUAC’s focus on artists, intellectuals, and performers. Volume 1: 1938–1948 includes the testimonies of Hallie Flanagan, Ayn Rand, Adolphe Menjou, Robert Taylor, Ronald Reagan, Gary Cooper, Bertolt Brecht and many others. Thirty Years of Treason serves as a warnin...

A chilling reenactment of the Federal government’s anti-Communist investigationsEric Bentley has chosen highlights from the thirty-year record of the House Un-American Activities Committee to demonstrate HUAC’s focus on artists, intellectuals, and performers. Volume 2: 1951–1952 includes the testimonies of Clifford Odets, Edward G. Robinson, Elia Kazan, Jose Ferrer, Bud Schulberg, Sterling Hayden, Abe Burroughs, Lillian Hellman, and many others. Thirty Years of Treason...

A chilling reenactment of the federal government’s anti-Communist investigationsThe testimony that Eric Bentley has gleaned for this book from the thirty-year record of the House Un-American Activities Committee focuses on HUAC’s treatment of artists, intellectuals, and performers. This highly dramatic and compelling collection of significant excerpts from the hearings shows with painful clarity how HUAC grew from a panel that investigated possible subversive activities in a “digni...

A chilling reenactment of the federal government’s anti-Communist investigationsThe testimony that the author has gleaned for this book from the thirty-year record of the House Un-American Activities Committee focuses on HUAC’s treatment of artists, intellectuals, and performers. This highly readable and absorbing collection of significant excerpts from the hearings shows with painful clarity how HUAC grew from a panel that investigated possible subversive activities in a “dignifie...