The author invites readers to spend time in the pleasure of Harpo's cinematic company while comparing him to tricksters from folklore, myth and legend. The book demonstrates how Harpo, the sweetest, wildest, most magical Marx brother, accomplishes the archetypal trickster's work. Thirteen chapters examine Harpo's trickster persona closely in each of the Marx Brothers' films: The Cocoanuts, Animal Crackers, Monkey Business, Horse Feathers, Duck Soup, A Night at the Opera, A Day at the R...

Few movie stars made as great an impact as Marilyn Monroe. Although she died in 1962, a half century later she remains vivid in popular culture, even to those who have never seen her films. Two of the men she married, Joe DiMaggio and Arthur Miller, themselves made a powerful cultural impact. In this moving essay, David Morrell analyses Monroe's poignant life, which had more significance than any movie in which she appeared. Even her most knowledgeable fans will find something new ...

Before he gave us the “one of a kind classic” (The Wall Street Journal) memoir On Writing, Stephen King wrote a nonfiction masterpiece in Danse Macabre, “one of the best books on American popular culture” (Philadelphia Inquirer).From the author of dozens of #1 New York Times bestsellers and the creator of many unforgettable movies comes a vivid, intelligent, and nostalgic journey through three decades of horror as experi...

The Pulitzer Prize–winning film critics offers up more reviews of horrible films.Roger Ebert awards at least two out of four stars to most of the more than 150 movies he reviews each year. But when the noted film critic does pan a movie, the result is a humorous, scathing critique far more entertaining than the movie itself.I Hated, Hated, Hated This Movie is a collection of more than 200 of Ebert's most biting and entertaining reviews of fi...

The Worst. Movie. Ever. is a masterpiece. Seriously.Enough time has passed since Showgirls flopped spectacularly that it’s time for a good, hard look back at the sequined spectacle. A salvage operation on a very public, very expensive train wreck, It Doesn’t Suck argues that Showgirls is much smarter and deeper than it is given credit for. In an accessible and entertaining voice, the book encourages a shift in critical perspective on Paul...

Discover the revelatory and illuminating interviews with literary luminaries that have graced the pages of The Paris Review for over half a century.This critically acclaimed series continues with another eclectic lineup, featuring intimate conversations with renowned authors such as Philip Roth, Ezra Pound, Haruki Murakami, Marilynne Robinson, Stephen Sondheim, E. B. White, Maya Angelou, and William Styron. In these remarkable extended interviews, the authors delve...

The Maestros of Celluloid Terror The lights dim. The giant screen flickers. And suddenly our most gruesome and ghastly nightmares come to blood-chilling life before our eyes. From filmmakers whose macabre images haunt our dreams to actors and make-up artists who conspire to create monsters, twenty-two brilliant purveyors of cinematic dread usher into their unique world of shadows and terror - sharing with us the secrets of their remarkable craft: the visual art of fear. Featuring in-depth ...

Charlie Chaplin - beloved by his generation, nearly forgotten today - was a cinematic visionary in endless conflict with his times. It turns out, legendary film critic Richard Schickel argues, that his life was far more fascinating than any of the Little Tramp's adventures. Here's his story.

From one of our leading film historians and interpreters: a brilliantly researched, irresistibly witty, delightfully illustrated examination of “the marriage movie”; what it is (or isn’t) and what it has to tell us about the movies—and ourselves.As long as there have been feature movies there have been marriage movies, and yet Hollywood has always been cautious about how to label them—perhaps because, unlike any other genre of film, the marriage movie resonates directly with the ex...

It was made like a television movie, and completed in less than three months. It killed off its star in forty minutes. There was no happy ending. And it offered the most violent scene to date in American film, punctuated by shrieking strings that seared the national consciousness. Nothing like Psycho had existed before; the movie industry -- even America itself -- would never be the same.In The Moment of Psycho, film critic David Thomson situates Psycho in Alfred ...

A career-spanning collection of critical essays and cultural journalism from one of the most acute, entertaining, and sometimes acerbic (but in a good way) critics of our timeFrom his early-seventies dispatches as a fledgling critic for The Village Voice on rock ’n’ roll, comedy, movies, and television to the literary criticism of the eighties and nineties that made him both feared and famous to his must-read reports on the cultural weather for Vanity ...

A Comics Studies Reader offers the best of the new comics scholarship in nearly thirty essays on a wide variety of such comics forms as gag cartoons, editorial cartoons, comic strips, comic books, manga, and graphic novels.The anthology covers the pioneering work of Rodolphe Töpffer, the Disney comics of Carl Barks, and the graphic novels of Art Spiegelman and Chris Ware, as well as Peanuts, romance comics, and superheroes. It explores the stylistic achievements o...