Match Prints is a visual and editorial dialogue between two important photographers and longtime friends. Over the course of their twenty-year friendship, Jim Marshall and Timothy White discovered that their work often shared striking similarities despite time differences of as much as three decades. Sometimes the similarity presented itself in the form of a common pose or expression, a common prop or situation. Sometimes the photographers' subject was the same, the images taken d...

The most compelling art form to emerge from the United States in the second half of the twentieth century, rock & roll stands in an edgy relationship with its own mythology, its own musicological history and the broader culture in which it plays a part. In Present Tense, Anthony DeCurtis brings together writers from a wide variety of fields to explore how rock & roll is made, consumed, and experienced in our time.In this collection, Greil Marcus creates a collage of words a...

Exploring U2: Is This Rock 'n' Roll? features new writing in the growing field of U2 studies. Edited by Scott Calhoun, with a foreword by Anthony DeCurtis, Exploring U2 contains selections from the 2009 inaugural gathering of "The Hype and The Feedback: A Conference Exploring The Music, Work and Influence of U2." In keeping with U2's own efforts to remove barriers that have long prevented dialogue for understanding and improving the human experience, this collection of essays examines U2 f...

Music icons Debbie Harry and Chris Stein join Anthony DeCurtis of Rolling Stone for a discussion about their sound, style and enduring influence. They’ll take us inside their creative processes—from the early hits to their double package, Blondie 4(0) Ever, and album, Ghosts of Download.

Originally collected in Chuck Klosterman IV and now available both as a stand-alone essay and in the ebook collection Chuck Klosterman on Rock, this essay is about Led Zeppelin.

Noisy, confrontational, and controversial, industrial music first emerged in the mid-1970s around bands and performance groups that combined avant-garde electronic music with the provocative attitude and abrasive style of punk rock. In Assimilate, S. Alexander Reed provides the first ever critical history of this fascinating and enigmatic genre, charting its trajectory from Throbbing Gristle's founding of the record label Industrial Music in 1976, to its peak in popularity with the success...

Rick Moody has been writing about music as long as he has been writing, and this book provides an ample selection from that output. His anatomy of the word cool reminds us that, in the postwar 40s, it was infused with the feeling of jazz music but is now merely a synonym for neat. "On Celestial Music," which was included in Best American Essays, 2008, begins with a lament for the loss in recent music of the vulnerability expressed by Otis Redding's masterpiece, "Try a Little Tende...

"Greenman's absorbing and entertaining study of Prince and his music compellingly underscores the Purple One's enduring contributions to pop music." — Publishers Weekly (starred review)Named One of the Best Music Books of the Year by The Wall Street JournalBen Greenman, New York Times–bestselling author, contributing writer to the New Yorker, and owner of thousands of recordings of Prince and Prince-relat...

Bring the Noise weaves together interviews, reviews, essays, and features to create a critical history of the last twenty years of pop culture, juxtaposing the voices of many of rock and hip hop’s most provocative artists-Morrissey, Public Enemy, The Beastie Boys, The Stone Roses, P.J. Harvey, Radiohead-with Reynolds’s own passionate analysis. With all the energy and insight you would expect from the author of Rip It Up and Start Again, Bring the Noise tracks the...

“Are We Not New Wave? is destined to become the definitive study of new wave music.”—Mark Spicer, coeditor of Sounding Out PopNew wave emerged at the turn of the 1980s as a pop music movement cast in the image of punk rock’s sneering demeanor, yet rendered more accessible and sophisticated. Artists such as the Cars, Devo, the Talking Heads, and the Human League leapt into the Top 40 with a novel sound that broke with the staid rock clichés of the 1970s and ...

Non-fans regard Céline Dion as ersatz and plastic, yet to those who love her, no one could be more real, with her impoverished childhood, her (creepy) manager-husband's struggle with cancer, her knack for howling out raw emotion. There's nothing cool about Céline Dion, and nothing clever. That's part of her appeal as an object of love or hatred - with most critics and committed music fans taking pleasure (or at least geeky solace) in their lofty contempt. This book documents Carl Wilson's ...

After a bestselling and acclaimed diversion into fiction, Chuck Klosterman, author of Sex, Drugs, and Cocoa Puffs, returns to the form in which he’s been spectacularly successful with a collection of essays about our consumption of pop culture and sports.Q: What is this book about?A: Well, that’s difficult to say. I haven’t read it yet—I’ve just picked it up and casually glanced at the back cover. There clearly isn’t a plot. I’ve heard there’s a lo...