Published to coincide with the bi-centenary of the original publication of "The Works of Horatio Walpole", this five-volume edition reproduces the 1798 posthumous facsimile held by the Lewis Walpole Library.

Frances Burney (1752–1840) was the most successful female novelist of the eighteenth century. Her first novel Evelina was a publishing sensation; her follow-up novels Cecilia and Camilla were regarded as among the best fiction of the time and were much admired by Jane Austen. Burney's life was equally remarkable: a protegee of Samuel Johnson, lady-in-waiting at the court of George III, later wife of an emigre aristocrat and stranded in France during the Napoleonic Wars, she lived on into t...

Memoirs of a Woman of Pleasure (commonly known as Fanny Hill), the most famous erotic novel in English, was denounced by its author as 'a Book I disdain to defend, and wish, from my soul, buried and forgot'. Cleland's critics too condemned the 'infamous' and 'poisonous' novel when it first appeared in 1748-9. But the proliferation of editions, adaptations, and translations since then bears witness not only to the popularity of scandalous novels, but also to the book's lit...

This volume documents the literary controversy and debate over Samuel Richardson's novel, "Pamela", published in 1741. It brings together and reprints key sources within the debate, including artists such as Francis Hayman, Hubert Gravelot, Joseph Highmore and Philip Mercer.

The ten essays in Literature and the Arts explore the intermedial plenitude of eighteenth-century English culture, honoring the memory of James Anderson Winn, whose work demonstrated how seeing that interplay of the arts and literature was essential to a full understanding of Restoration and eighteenth-century English culture. Scenery, machinery, music, dance, and texts transformed one another, both enriching and complicating generic distinctions. Artists were alive to the power o...

Published to coincide with the bi-centenary of the original publication of "The Works of Horatio Walpole", this five-volume edition reproduces the 1798 posthumous facsimile held by the Lewis Walpole Library.

The complete plays of Fanny Burney, taken from the original manuscripts of her work. The work includes a general introduction, headnotes to each play, explanatory notes and variant readings.

Published to coincide with the bi-centenary of the original publication of "The Works of Horatio Walpole", this five-volume edition reproduces the 1798 posthumous facsimile held by the Lewis Walpole Library.

Jane Austen distinguished herself with genius in literature, but she was immersed in all of the arts. Austen loved dancing, played the piano proficiently, meticulously transcribed piano scores, attended concerts and art exhibits, read broadly, wrote poems, sat for portraits by her sister Cassandra, and performed in theatricals. For her, art functioned as a social bond, solidifying her engagement with community and offering order. And yet Austen’s hold on readers’ imaginations owes a debt t...

Published to coincide with the bi-centenary of the original publication of "The Works of Horatio Walpole", this five-volume edition reproduces the 1798 posthumous facsimile held by the Lewis Walpole Library.

The complete plays of Fanny Burney, taken from the original manuscripts of her work. The work includes a general introduction, headnotes to each play, explanatory notes and variant readings.

Thanks to its tightly paced, intricately plotted narrative and its astute psychological characterisation, Emma is commonly thought to be Jane Austen's finest novel. In the twelve chapters of this volume, leading Austen scholars illuminate some of its richest themes and topics, including money and rank, setting and community, music and riddles, as well as its style and structure. The context of Emma is also thoroughly explored, from its historical and literary roots through its publication ...