This is the story of the thirty-six-year-old business relationship between Luciano Pavarotti and his manager, Herbert Breslin, during which Breslin guided what he calls, justifiably, “the greatest career in classical music.” During that career, Breslin moved Pavarotti out of the opera house and onto the concert (and the world) stage and into the arms of a huge mass public. How he and Pavarotti changed the landscape of opera is one of the most significant and entertaining stories in the his...

In 1967, Luciano Pavarotti was an up-and-coming young tenor with a voice far more impressive than his stage technique or presence. So Decca, his record company, told him, 'Luciano, you're a real nice guy. So you need a real bastard to do your publicity.' Enter Herbert Breslin. The two of them hit it off and thus began a professional association and a friendship that lasted over 36 years.The King and I is the story of that relationship, during which Breslin guided what he c...

Everything about opera is larger than life, but the bigger the art form, the bigger the potential for disaster. When things go wrong at the opera house, they really go wrong. No one has a greater or more intimate knowledge of such moments than Lotfi Mansouri. Over the course of a career that has spanned five decades, Mansouri has directed nearly 500 productions at major opera houses around the globe.Mansouri has gathered a collection of discrete vignettes that recount unforgettable...

Born in Venice, Italy, Antonio Vivaldi was one of the most influential and highly regarded Baroque composers, although his fame blazed only briefly. He is most remembered for his concertos, particularly “The Four Seasons,” but his overall production was enormous, ranging from orchestral and vocal music for both secular and church settings, as well as opera scores and libretti. In addition, Vivaldi was a master violinist and spent much of his career as an instructor at a famous institution ...

This book is a perceptive and critical account of the first 75 years of The Royal Ballet, tracing the company's growth, and its great cultural importance - an indispensable book for all lovers of ballet.In 1931, Ninette de Valois started a ballet company with just six dancers. Within twenty years, The Royal Ballet - as it became - was established as one of the world's great companies. It has produced celebrated dancers, from Margot Fonteyn to Darcey Bussell, and one of the richest ...

Over the course of his career, Pavarotti never lost his enthusiasm for performing, and he devoted his last years to singing for charities and humanitarian causes - until sudden ill-health made it impossible for him to continue to appear on stage.

Daria Klimentová's sizzling chemistry with Russian dancer Vadim Muntagirov, who is nearly 20 years her junior, has reignited the prima ballerina's career - and marks a metamorphosis after her Black Swan-style torments depicted in BBC Four's Agony and Ecstasy, the gripping documentary series aired last year. There has been a metamorphosis since the 'old ballerina' allowed herself to be browbeaten by domineering choreographer Derek Deane, and Daria and Vadim are being applauded as the new Fo...

Stephen Sondheim is widely regarded as the most important composer and lyricist of musical theater in the second half of the 20th century. Celebrating his 80th birthday, this new edition of Sondheim on Music finds him in these guided interviews expounding in great depth and detail on his craft. As a natural teacher, thoughtful and opinionated, Sondheim discusses the art of musical composition, lyric writing, the collaborative process of musical theater, and how he thinks about his own work...

H. L. Mencken declared that “the opera is to music what a bawdy house is to a cathedral.” It was not meant as a compliment, but to William Murray, former New Yorker staff writer and aspiring opera singer, a bawdy house is an apt metaphor for the opera: a place of confusion, high and low drama, fleshly pleasures and raucous song.In Fortissimo, Murray follows twelve young singers in the Lyric Opera of Chicago’s training program, the prestigious Opera Center for American Arti...

This book contains 250 anecdotes about opera, including these anecdotes: 1) When Pierre Monteux started working at the Metropolitan Opera, he decided to buy a shiny Ford touring-car. He paid $300 for the car, which he was proud of at first, although it looked modest when parked beside the luxurious cars of the stars of the Met. However, the car did give Mr. Monteux trouble. One day, as he was driving it, the car developed engine trouble and stopped. Mr. Monteux got out of the car, tipped h...

With a wealth of famous tunes and meticulous characterisation, Don Giovanni is an undisputed masterpiece created by Mozart out of a thread-bare fairground gig. The Don – for whom both sexes have a sneaking admiration – gatecrashes proceedings, serenading and seducing as he goes. As wily as he is insatiable, he outclasses all who are out to get him, including a jealous bumpkin and the down-at-heel Elvira. But a stone statue seals his doom and drags him down into hellfire. From the Champagne...

A New York Times Book Review Editors’ Choice SelectionNamed one of the Best Books of the Year by the Economist and Kirkus ReviewsAn “extraordinary” biography that “in its breadth . . . reminds me of nothing so much as Robert A. Caro’s The Power Broker” (New York Review of Books).Harvey Sachs’s “monumental” (Alex Ross) biography recounts the sixty-eight-year career of conductor Arturo Tosca...